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Fighting With Blogs

I recently started a blog and I'm struggling a bit with it.  I know in order to get people to read it, I obviously need to write, but honestly, it sucks writing when you know no one is reading it.  My blog is www.britthallowellart.blogspot.com.  

 

So I need some advice from seasoned bloggers!  What did you do to encourage people to subscribe to your blog?  Or how did you get people there at all?  What suggestions can you give me to make my blog more appealing that people will want to keep coming back?

 

I look forward to your response and any advice you can give me!

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The winners for 2012 Laumeier Sculpture Park Art Fair recently were announced  by fair organizers.

A jury chose the winning artists in five categories. Each artist won a cash  prize or a gift certificate.

2012 Award Winners were:

• Excellence ($1,000) - Paul Jensen, Rhinelander, Wis.; Daniel Keith, Minier,  Ill.; Olive Kraus, Hannibal, Mo,; Gena Ollendieck, Cresco, Iowa; Steven Spiro,  Hillpoint, Wis.

• Merit ($600) - Kim Koch, Oshkosh, Wis.;Pat McCaffrey, Winterville, Ga.;  John Petrey, Chattanooga, Tenn.; Carolyn and John Ruff, Springfield, Mo.;  Michael Schwegmann, Champaign, Ill.

• Honorable Mention ($400) - Karen Bell, Spring Green, Wis.; Beverly Hayden,  Chattanooga, Tenn.; Mieko & Michael Kahn, Greenbush, Mich.; Gina Pannorfi,  Chicago, Ill.; Lisa Vetter and Paul Siefert, Spencerville, Ind.

• Outstanding Local Artist ($250 ArtMart Gift Certificates) - Melissa  Schmidt, St. Louis, Mo.; Greg Rasmusson, Overland, Mo.

• Mayor's Award ($500) - Warner Whitfield, Weaverville, N.C.

The art fair took place May 11-13 at the sculpture park in Sunset Hills. The  annual event raises funds to cover the park's operating costs and programs.  Organizers estimate more than 15,000 attended the fair

 

Congratulations to the prizewinners at the Laumeier Sculpture Park Art Fair...we at Art Fair Insiders salute you for a job well done!

(those highlighted are members of AFI...Please click on their names and enjoy their profiles)

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First off, I want to explain that 99% of my shows are small, juried, fine art fairs on the northwestern shores of Lake Michigan, in lively little tourist towns,  and not nationally ranked.  The shows I typically do have somewhere between 60-90 artists, not over 200 like ELAF.   My usual show is set in a park, frequently on or near water; nice shows, intimate, grassy green tent floors, lake breezes, and I have no idea how many people come through, but it’s not 70,000 like ELAF. 

I tell you this right off the bat, because then you can see that my perspective is not from someone who has done national shows regularly.  I can’t compare ELAF to previous years, or other national shows, but I can tell you what it’s like to do a bigger show than I’m used to doing.  I think there are lots of you in art fair land wondering if size really matters.  (I’m talking about the size of the art fair; get your mind out of the gutter...)

This was my first show of the season, my first national show, first street fair, first time with my new 10X20 trimline (yes, they are gawd-awful heavy) first time with no waterfront breezes, park setting, or green grass to stand on.    

I’m a painter, and the list of painters and other 2d artists at this show was impressive to me.  Lots of really beautiful work and I was honored to be there.

We were sent a packet with our booth location and set up time, and other pertinent information prior to the show.  There was road construction around the fair, but without too much trouble we were able to find our booth spot and drive right to it for hassle free set up.  Well...except for the aforementioned gawd- awful heavy double trimline.      There were volunteers on every corner ready to direct us through the maze of orange cones and blocked off streets.  This end of the street was a new addition to the fair, and veterans and newbies to the fair were given spots here. There was plenty of space behind the booth, not much on either side. It was a great location, except for being right outside a bar.  We were a bit nervous about that, especially at night.  There were a few cigarette butts near and under the back edge of our tent on Saturday and Sunday morning but thankfully no burns anywhere on the tent. ( I quit smoking about 6 months ago and part of me is just jealous of other smokers...isn’t that stupid?) But, my booth has a certificate that says it’s fireproof so I’m sure I needn’t have worried about any burns...   Being somewhat familiar with the college drinking crowd, I was delighted not to find some hung-over freshman laying in their own vomit amongst my paintings and bubble wrap in the mornings. 
Saturday crowds started early and my booth continued to be busy throughout the entire day. And they were buying.   It didn’t slow down until the end of the day. Connie came into my booth and introduced herself, and it was very nice meeting you Connie!  The patrons were educated and not one of them tried to haggle or complain about my prices or the economy.  My prices are about in the middle I think; $200-$1000.  No prints, only originals. 

ELAF hosted a reception for us Saturday night, and the Marriot put on a spaghetti/salad banquet which was a wonderful surprise.  It was great not having to go out in search of food after working all day.  For me, it was WORK!  I like to talk to all my customers and am on my feet almost the entire time.  Standing on the pavement was quite different than grass and by the end of Saturday I was one, big, ache!  If I continue to do fairs in streets, I’ll take some kind of floor cover with padding. Not only for easier standing, but my gawd-awful heavy trimline got really dirty on the pavement.   

At the reception, I talked to a couple of veteran ELAF artists that felt sales were slow, but here’s where different perspectives come in.  Me, used to smaller shows, thought it was crazy busy.   For someone used to the major crowds, well, I guess it felt slow to them.  They also commented that Sundays are typically the slower of the two days, so I mentally prepared myself for a hot, slow, kill me now, kind of day. The heat was ridiculous, 2 fans in my tent did nothing but push the hot air around. (Battery operated fans, not fans of my work...) But, this is Michigan and it could have been 50 degrees and raining golf ball sized hail, so honestly I’d rather have the heat.  Sunday was hotter than Saturday, if that’s even possible, and sales started quite slow.  I began to wonder if my roof was high enough to jump from, but by afternoon it picked up. People that had been in on Saturday came back to purchase on Sunday afternoon.  My theory is that they went to church and God told them to come back to the fair and buy my paintings...  One neighbor reported an excellent day, the other claimed about average but a little slower than expected.  A painter friend down the row told me that she had done well.  Incidentally her paintings are priced about like mine. 

Breakdown and loading up seemed quite organized. There were staffers to assist anyone that needed help.  Like most shows, they wanted us to pack the artwork, break down the tents and then go get our vehicles, load up and clear out.  The entire staff was friendly and helpful and flexible. 

I really enjoyed this bigger show and will apply again next year.  Sales were really good for me and I would tell anyone that is considering a larger show to give it a try, don’t have unrealistic expectations, and realize that the only way to really find out is to do it for yourself.    

 

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Artsplosure in Raleigh, NC is an extravaganza… part art, part music, part kids… The music and kids activities were set slightly apart from the artists.  Extremely well advertised with print, TV and social media.  170 artists…and it seemed to be pretty well juried from what I could see… more 3D than 2D with lots of jewelry. http://www.artsplosure.org/artsplosure2012/ceramics.html  Show ran from 11am-7pm on Saturday and 10-5 on Sunday.  The weather was simply gorgeous.  Perfect weather for a festival!  The music went on long after we left on Saturday.  We were welcome to stay open but it had been a long day and my sales to that point did not warrant staying open... 8869086870?profile=original

They were looking and buying

This show has been around for a lot of years and they have a solid methodology for how they do things.   They were responsive to emails and communicated as needed.  They were organized.  And I can’t say enough good things about the volunteers who helped set up and acted as booth sitters!  Free lunch both days and air conditioned restrooms worked for me.  They were upfront in the artists packet about not depending on overnight security so I packed out my glass on Saturday but didn’t notice any residual damage anywhere the next morning.  Between the music, beer and wine continuing well after close and somewhat of a homeless population in the area, it was better safe than sorry.

Entrythingy is the entry vehicle.  $32 jury fee and $225 gets you a 12x12 space with room on the sidewalk behind you for limited storage.

Setup/load out – Same day setup since they can’t close the streets the night before.  They had asked early on if you needed a lot of time for setup.  Even number spots could start setting up at 6:30.  Odd numbered spots could start setting up at 8:00am.  A lot of us were unloading onto the sidewalk by 6 just to get it done.  Parking was only a block away.  Volunteers were around to help you set up if you needed it.  Overall, it was an easy load-in on my end of the street.  Load out was pretty much the same.  (map attached)  Initially, I had some reservations about my location because it seemed like everyone on our end of the street were either new to the show or hadn't done it in several years.  Not to worry... people seemed to be coming in that way and foot traffic was abundant.  I don't think there was a bad location here...well, I say that because I was far away from the stages...but I digress...8869087067?profile=original

People started showing up before 10 and it was getting crowded by noon on Saturday and stayed that way all day.  I had more people in my booth during this show than I did for the previous five shows combined that I’ve done this year.  Sunday seemed to be more beer and wine oriented and with folks there for the music but that could just be my impression since I didn’t sell a thing on Sunday…8869087456?profile=original

Lots of foot traffic in my booth

In terms of sales, this ranked 5th out of the six shows I’ve done so far this year.  Sadly, I did not make expenses…. I even had a smaller version of my larger pieces so that I had something in the under $100 price point.  Lots of interest did not translate into lots of sales… Which was disappointing since my last two shows were wicked awesome in terms of sales and commissions. 

However, the ladies next to me with the $130 necklaces had a very solid weekend as did the gentleman on my other side who sold several of his guitars made out of license plates for $300+ a pop.  I saw lots of smaller prints walking by as well as bags with ceramic pieces cradled like babies in their new owners arms… the money was definitely there if you had what the crowd was looking for.  Some people were there for the art and looking for specific artists; some people were there for the music, beer and wine; and others were just there because it was a gorgeous day. 

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Peter Geiger had a stellar show

I went into this show knowing it was a large, multi-event, family-style festival.  I needed to dip my toe into the market just to find out if I might have an audience.  I had a couple of nibbles from galleries which I will follow up on.  If no one was selling, I would write this off.  The Raleigh/Durham/Apex/Chapel Hill area has a huge arts community.  Surely there is room for me…

Anyone else want to chime in with their experience?

 

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Win Free Booth Spaces at 6 Art Fairs!

Wouldn't it be nice to do a show where the booth fee was free? AFI has friends at many shows and as part of our Pledge drive a bunch of show organizers have stepped forward to give away a booth at

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Howard Alan Events across the nation, Paragon Art Festivals from Maine to Texas, Rose Squared Productions in New Jersey, Mount Clemens Art Fair in Michigan (soon!), ArtWorks - 2 events in Wisconsin.

How are we going to do this? We are taking pledges, starting at $12, the participants names get added to a spreadsheet and we are going to do a random drawing starting Wednesday (5/23) at 6 pm. We won't assign prizes but we'll let people choose their own prize starting with the first name drawn.

Be listening to hear if you are the winner.

Here are the rest of the prizes (click on the images for more info):

Table Top Easel                 Watercolor Carrying Box        Ear Climberz Earrings    Press Release         Retro Headband

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Spiral Pearl Earrings    Antique-style Pepper mill  $100 Amazon gift card          Fancy Bird Feeder        Robot Sculpture

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Oil Giclee Print                Pedestal Display Set     Year's Membership at FNO.com  2 copies of new book    Imaging services for artists

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Year's membership       Art Fair Coaching Services   Watercolor Painting  Portable Solar Charger          2 Expert Website Reviews

                                     from Connie Mettler                                                                                  from Scott Fox

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Garmin GPS

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Learn more about the prizes right here: http://www.artfaircalendar.com/art_fair/pledgedrive.html

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Super Well Planned

Every booth is a corner booth!

What an amazingly well structured event this past weekend was! Wow. I’ve done a lot of outdoor art shows in my career, but I don’t think ‘ve ever done one that was this thoughtfully planned. From a neighborhood potluck dinner the evening before straight through to the final packing up process, things were smoothly run and artists-friendly, start to finish!

This show is going to grow. I’m sure of it. I would look for this to become an A+ Regional Show within the next 5 years. If you’re an artist I strongly recommend adding this to your line up. Be sure to bring some introductory lower end pieces with you though. I should have. There were a lot of people from the area with an open mind, but lacking a big art budget. I would like to have had some $20-$25 pieces they could have selected from. I think they would have.

Solidly Good Work

The artists and craftspeople selected were all high caliber. The mix was well put together, and every person’s work was well executed.

Great Music!

8869081291?profile=originalThey had several music stages, and booked solidly good acts all throughout the day and into the evening. Friday evening’s crowd was happy and had good traffic. Bring your lights – electricity is included in your booth fee. Saturday’s evening crowd dwindled out by where my booth had been located – but seemed to remain pretty thick near the center of the show and the main stage. Sunday’s show traffic was slower than it had been Friday afternoon and Saturday – but the people were super friendly and showed an interest in the art and music – so who knows, if I had had some inexpensive pieces I may have done alright.

They had a variety of food booths, and a beer truck. There were activities for children, and roaming entertainers too! The neighborhood was charming and most of the galleries were open as well adding to the festive atmosphere.

Deserves to Grow

As it was for a fairly new and growing show my sales were decent and I’m looking forward to returning next year. This is a show that deserves to grow. And I think it’s going to.

Amenities for the artists:

  • an endless supply of ice water delivered all throughout the day
  • tasty boxed lunches
  • a hospitality room
  • air conditioned clean restroom trailers
  • booths were spread out and each was a corner space
  • electricity access
  • pre-show potluck with yummy food brought by volunteers
  • friendly people

Personal Highlights

They awarded my booth an award! THANK you!! (I drew a sketch of the judge dude – because his hat had made an impression on me!)8869081483?profile=original

The band named The Duke of Uke. I didn’t get to hear them live because the stage they played was located far from my booth, but 2 of the band members stopped by and were so delightful I looked them up and have already downloaded some of their fun tunes! I drew them too. See above.

The show has a Facebook page, like it so you can get news for next year’s fest! Here’s their website too.

I have a slideshow on my site's post of this show: http://www.happyart.com/art-shows/upper-tier-hospitality-at-the-lower-town-art-show-in-paducah-ky/

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Well, this was my first "up north" show for the summer.  Wasn't as good as other years, but I made enough to raise up the revenues in my anemic show bank account and pay bills.

Yeah, I sold a biggie for $375 instead of the normal $450.  Will talk about it later.

On to the show report.

This is a long-running show, I have done it about eight times,with 200-plus exhibitors, mostly low-to middle range sales.  They favor the tried and true, whimsy and of course "art on the stick."

New layout this year because of construction.  Same crappy buy-sell show going on across the street from it.  Lots of young people and young families, after all it is a college town--think Michigan State.  Anything with a Spartan logo on it has a chance for a sale.

It is a Sat.-Sun. show, normal hours, done by 6pm, set up on Friday, easy to do.

A very well run show with good volunteer committee.  They supply the sitters, water, an artist meal on Sat. nite.  They respond to artist requests quite promptly.  Can't say enough about them.

I have had a sudden health issue hit me out of the blue (will discuss in another blog, cause I need a helper to setup for Columbus).  I called Wednsday, and they arranged a capable helper to set me up on Friday and tear down on Sunday.  Thank you Cameron.  Thank you Michelle, she runs the show.

Saturday seemed to be the best day for sales, the crowds came out early and bought.  Not like in past years.  But I saw many more packages going down the aisle than I have seen at most recent Florida shows.  Temps hit mid-eighties with the heat pulsating off the concrete.  People bought early.  I set a modest goal for the show, about half of what I normally would do, and hit it on Sat. at 5pm.  Good thing because Sunday saw temps go up to 90 degrees and it killed sales for most of us.  I had a $185 Sunday.

About the "bug sale."  This is a hoot.  On one of my large framed pieces a fricking grey moth had wiggled down under the glass and wedged himself against the mat.  He was dead.  I figured fat chance of selling that piece until I got the bug out and cleaned/replaced the mat.

So the piece hung with my biz card strategically placed over the bug.  It is a dazzling tropical image of the Soggy Dollar Bar on Jost Van Dyke, BVI with beautiful blue waters and a guy laying in a hammock with a rum drink in hand.

So a guy walks into my booth around 4:30 and goes right to the piece.  Doesn't want any other one, just that one.  So the moment of truth arrives.  I remove the biz card and show him the bug.  I explain that I really am not set up to remove it and clean it at the show.  I was asking $450.  So I say," I WILL GIVE YOU THE "BUG DISCOUNT".  He says,"How much?"  I said, "I will give you $50 off."  He says, " I was thinking more like paying $325."  Hmmm.  must be an expensive bug.  I countered with $375 and he took it away, bug and all.  Made my day.

At artist supper that night, the consensus was that if you did $1200-$1600 that day, you did good.  Right where I was.

It was mostly small prints and packages and low end sculptural metal objects going by that day.  There was buying energy.

Sunday was beastly hot and sales sucked for most of us.

This is a fine little mid-range show to do.  Don't be traveling from far away to do it.  Friendly town, lots of good eating options.  I just would not want to do shows like this all the time.

Two weeks from now is Columbus.  Long hours, three days plus setup--God knows what we will get for weather.  It is usually a money-maker for me, so it will be a real "tell" as how the summer is going to fare in the midwest.

I got a serious health issue, came on me out of the blue.  Severe shortage of breath.  Gonna need help in setting up and tearing down for Columbus.  I will address it in another blog--along with contact info.  Take care out there.  Aloha, Nels.

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Every creative NEEDS to watch this

I just finished watching this speech by world renouned writer Neil Gaiman that perfectly explains why all of us creatives create, or at least why it is so important that we should, everyday. Probably the best 20 minutes you'll spend all day. Anyone feeling lost in their art career needs to watch this.http://dennisbrady.posterous.com/every-creative-person-needs-to-watch-this-tod
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Do you love ArtFairInsiders.com? Do you check in regularly for information, support or a good laugh? You are not alone!

8869085253?profile=originalJoin us for the 3rd Annual Happy Birthday Celebration Show on May 23 at 6 pm ET.

Wednesday, May 23, at 6 pm ET, Connie and her son Scott will be hosting the birthday party show, talking about the art fair business and sharing insider secrets, "What Show Directors Don't Want You to Know". Call in live with your questions and wish Connie and AFI a happy birthday.

You can listen here and call in:  (805) 243-1338

Connie and Scott will be deciphering how to make a living at the nation's fine art fairs and discussing these important life questions:

  • I was blackballed at my favorite show
  • That show director hates me
  • Someone has to die before I can get into Old Town
  • Why sleeping in your van might not be a good idea
  • What your art fair neighbor really thinks about you

We'll also be drawing names to award the great prizesdonated to us by our friends: free art fair booths, free consulting, Amazon gift card, paintings, fine crafts, jewelry, books, etc...

If you haven't pledged yet (pledges start at only $12) do it now to be entered in the drawing!

Here's the best part. This will be live and we want you to call us, tell us your art fair stories and ask your questions and give a shout out to your favorite parts of our business.

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Dear Promoters: Please Promote

On Sunday I attended the Wyoming Art Show (Wyoming as in a suburb of Cincinnati, not the larger, grander Wyoming) in order to scout it out for a possible application last year.  The last time I attended was at least 10 years ago, but I remembered the show fondly as having great artists and a healthy crowd.

So as I meandered through the show I stopped to chat with several artist friends, including some AFIers (hopefully one or more of our AFI friends will post a show report).  There was a strong consensus -- the crowd was very sparse, very disappointing.  I saw just four people carrying merchandise bags.  I saw twice that many carrying popcorn bags.  A fantastic, sunny day disqualified the "crappy weather" excuse.  What could it be?

Well, how about the fact that as I drove down the miles-long main drag leading to the show I saw one yard sign.  One.  Even the permanent, brick-and-mortar sign in front of the civic center at the entrance to the show site was advertising something else!  And although I looked in the newspapers every day for the last two weeks, I saw no notices or advertisements.  Needless to say, surrounding communities, some quite well-to-do, would have been great places to advertise the show, but I suspect they were ignored, too.

I don't get it.  Countless times in the last few years I've seen once robust shows die a long and painful death due to -- as it appears to me, at least -- a misguided belief that "everyone knows about our show" and/or that word of mouth will carry the day.  I know the economy is bad, and show attendance is suffering, so that could be part of the problem.  But isn't that even more reason to boost your promotion efforts?  To not even try to pull in the customers seems to be a dereliction of duty.

A show doesn't carry itself along on its own steam.  The people who attended years ago have moved away, grown tired of art shows, become busy with grandkids, whatever.  But there's a new generation, and they might like to come, yet they've seen there are 10 other things to do this weekend and your show isn't even on the list.

So, dear promoters and organizers, please remember that your artists are your customers, too.  We pay your app fees, pay your booth fees, follow your rules, set up in the rain, stay til the end even when nobody's there to buy, in short do everything we can do to create an exciting, viable, profitable show for us and for you.

Your job is to get the people there.  Paid advertising is great when you can afford it.  But free promotion is far better than nothing, and there are plenty of outlets at your disposal.

When I do a show that's miserably slow, I have no complaints if the show organizer did their part but was unsuccessful.  Bad weather happens.  Huge competing events happen.  But when the organizer simply doesn't live up to their end of the bargain, I get very cranky.  So this year, Wyoming Art Show, I'm cranky on behalf of my friends who were accepted into your show this year.  What a shame.

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Banners for my Booth

(This is reposted from my own personal blog, so please forgive referring to this site in the third person... hehe...)

So I've finally placed the order for the banners for my art fair booth.  And I am completely excited about how they've turned out!!  I had made some banners, but my partner Jonathan (who is a graphic designer) had some very specific thoughts about what he did and didn't like about them and ended up re-doing them to his satisfaction.  Thank goodness he did!  They turned out much better than I could have possibly dreamed.

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I know enough about Photoshop to get around--I do all my own product photography and such.  But Jonathan said that he wanted to do them up in Adobe Illustrator (a program he is intimately familiar with and I know absolutely nothing about) to tighten them up and let me see some different choices.

All I can say is, "Wow.  What a difference a Graphic Designer can make."  I'm fortunate to have a professional in my family (ahem) because I can't imagine what these would cost if I were to actually hire someone to do them for me...

My plan is to use the large images on the banners to attract people to my booth from outside of it, a tip I learned from the discussion forums on the wonderful website, ArtfairInsiders.com.  I've been lurking there for a couple years, posting rarely but trying to glean as much information as I can for my big debut.  It's been an invaluable resource, and I'm glad I found it.  It has not only helped me decide on what type of tent to purchase, but it has exposed me to a lot of resources that I never would have known existed.  The people are friendly, offer great advice, and I'm actually looking forward to diving into the unknown world of art fairs and festivals with a lot more confidence.

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I ordered the banners from Banners.com tonight, and I'm nervously awaiting their arrival.  Seeing as how I'd never ordered anything like this before, and my size requirements were a bit unusual, I looked at quite a few websites before I settled on this one.  It seemed to offer the most comprehensive Art specifications, as well as size flexibility.  Vistaprint.com is cheaper (they seem to be cheaper for just about everything) but they didn't offer grommets, nor hemmed edges, so my search led me elsewhere.  I'm hoping I made the right choice--I guess I'll see when I get a proof!  : )

Since I was incorporating the banners into the layout of my booth, I had to decide upon what that layout was going to be before I could determine the sizes of the banners.  I decided that I would use them on the center back wall, and alternate the banners with gridwall so I could display actual wearable art pieces.  So the banners are 8' long and 2' wide, the same proportions as the gridwall.  The gridwall panels I've chosen extend from the ground to ceiling, and will be held securely in place with lots of secure zip-ties.  Along the right wall is a table with matching tablecloths that I assembled myself, and along the left wall is more gridwall for display and sheer gathered curtains to frame it and make it look nice.  A mirror in a corner, a nice carpet, some dress forms, and some matching bunting to hang from the poles will complete the look.


Over all, I'm hoping to make a vintage-y, circus-y feel that is well put together, clean, and slick without requiring a spare, empty look.  As much as I understand the need for plain, strong walls to support artwork, I am not selling paintings or photographs.  I am selling wearable art, which requires a different method of display.  I felt my challenge was to create something that would be sturdy, stylish, and unobtrusive, and yet still be comfortable without being starkly empty. Yes, the work shouldn't be upstaged, but clothing and jewelry need an atmosphere around them.  Grey walls may allow fine art to spring forth and shine, but they don't do much to instill a sense of style or personality--elements that define fashion and attire.

And I want as few bungee cords as I can get away with--I much prefer the tighter zip-tie route that allows me to snip away the excess I don't need for a sleeker and more refined look.

When the banners get here, we'll see how it all works together.

My challenge has been knowing that the better fairs and festivals require artists to apply in different categories, of which I would have 2--wearable art and jewelry, with the possibility of 2 more--fiber art and sculpture.  I don't know if I'll ever accumulate a body of work for the last two categories, but I was  forced to decide on making the banners featuring my wearable art or my jewelry, just in case I didn't make it into one of the two categories...  I still need to make/order the banners featuring my art attire, but I figured since my jewelry is of a smaller scale, I would focus my photography on those items first.  I haven't even applied to any upscale art shows, so I've got a long way to go.  I figured I'd start with my local shows first so I can work the kinks out.  : )

So here I share my new banner images, and eagerly await their arrival so I can put up my tent and see how things work!  Wish me luck!

And Live Life with Relish!

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Des Moines, Iowa


70 Artists Booths
Deadline: June 14 - new deadline!

The 24th annual Metro Arts EXPO will be in the heart of downtown where thousands of people come to eat, shop and experience museums, music, and amazing architecture.  The EXPO is free to the public and offers a jury-selected array of fine art created by 70 professional artists from across the United States, live entertainment, demonstrations and an upbeat holiday shopping atmosphere.

The categories include 2D and 3D mixed media, ceramics, drawing, fiber, glass, jewelry, metal, painting, photography, printmaking and sculpture.

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ARTISTS BENEFITS:

  • Overnight and Daytime security
  • Complimentary dinner Friday night and breakfast Saturday and Sunday
  • $2,500 in Sponsors Choice awards
  • Exclusive Hospitality Area
  • Booth sitters, and much more...

The EXPO is a smaller show that draws 6,000+ loyal patrons and serves as fundraiser for Metro Arts Alliance.  All proceeds go to support Metro Arts community and educational outreach programs.  www.metroarts.org 

More information with a video: https://www.youtube.com/watch?v=xPMH32TNDlU

 

Schedule:

Friday Nov. 2: Opening night party: 4pm-9pm

Saturday Nov. 3: Show: 10am-8pm

Sunday Nov. 4: Show:  10am-2pm

 

The deadline to register is June 1st and the Jury Fee: $35

June 15 - Jury selections

June 18 - Artist Notification (10% off booth fees until July 1st)

July 1 - Early bird discount ends

July 31- Accept invitation & purchase deadline

Aug. 1 - Notify Artists on the waiting list

Aug. 29 - Artists on the waiting list, Accept invitation & purchase deadline

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Apply: www.zapplication.org 

Artists are advised to submit images of professional quality.  Keep in mind that your images are what you will be judged on.  Clear, sharply focused, High resolution jpeg images are best.  They should represent a coherent body of work, by form, technique or concept.  Bold color is viewed better than pastels, whites, grays or blacks.  Please, don't let the background overpower or detract from your work.

 

For more info. about Metro Arts Alliance of Greater Des Moines, the EXPO or other programs, Please call (515) 280-3222 or visit:  www.metroartsexpo.org  

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Did you study art?

I always wonder what would have happened if I went to college for art instead of advertising, which was my father's suggestion.  I think a lot of artists could use a strong business background to help them market their talents.  Did you study art, or did you take a long, winding road to your craft like I did?

 

http://pencilenvy.blogspot.com/2012/05/irish-carnival-ride-at-apartment-21.html

 

In my latest blog entry, I tell the story of my very first portrait and the beginning of my college and corporate journey that one day lead me here.  I love to hear the stories of how my fellow artists got where they are today.

 

 

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Border Crossing

Well, seems that I was wrong in thinking I was doing everything correctly! I was going to participate in the East Lansing Art Festival this weekend, but upon arriving at the border yesterday morning those plans quickly changed! It was brought to my attention that as a Canadian Citizen I am legally not able to sell goods (art work in my case) inside the United States. This could be a much, much longer post, but for information purposes I am keeping it shorter. 

I was detained yesterday (Friday morning) at about 4:15am, and was held until about 8:30am. I was photographed, finger printed and questioned as to my intentions. I have never attempted to hide what I was doing, or lie about my intentions, it just seems that this is not something I am allowed to do. I can sell to the US from Canada, but not physically while in the United States. I can say that the Border Agents were very friendly and when this ordeal was over they were appologetic about the situation. I know they were just doing their job, and I was very appreciative to them for how I was treated. 

I am going to attempt to secure a temporary VISA for shows next year, but I have had to go and cancel all my shows for this season that were in the US. 

I also wanted to give credit where credit is due. East Lansing Art Festival (never been one to give personal names) was very sorry to hear what had happened, and even though I notified them about 6 hourse before I was to set up  my booth they agreed to refund my booth fee! That was one great thing to a long, and crazy day!

All I want to do is create, display and hopefully sell some art. Having the feeling that you are on the verge of being arrested and charged was not something I thought I would ever have to deal with. Hoepfully the VISA thing will happen, but if not then I'll focus on Canada and partnering with Galleries and not on my own. 

Safely back home, 

Jeremy 

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Are you a fan of this site? An active member of the Art Fair Insiders community?

Do you find valuable info and friendships here that help your business?

Or, maybe you're even addicted to the forum??

If that sounds like you, we'd like your help.

Can you leave below a short "testimonial" quote about why you like AFI and how it's been helpful (and fun) to you?

We're in the midst of the annual AFI Pledge Drive soon and would appreciate your comments to use publicly in the marketing.

You know, short quotes like "I love visiting ArtFairInsiders.com daily because…"

Thanks for your help!

Scott
(Connie's son)

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If you come upon a mysterious object, such as what I  found at this puzzlePhotos blog (above photo, from site, not my work) , you will surely wonder about its function.

But if it is a work of art, such as a painting,photograph,a sculpture, the question isn't normally asked, at least not in the same way. Ceramics has always floated in and out of the concern for whether it is functional or if it is art, (or some variation on that theme.) I would imagine that is why I get so many questions about what many of my ceramic pieces are for.

Don Bendel was my Ceramics professor at Northern Arizona University. He told this story that I get a lot of traction out of when dealing with the question " what is it for?".

8869081469?profile=original(caption:Don used to put these on the top shelf of the salt kiln, toss empty beer bottles on top, creating a glaze pool)

"I got this commission for a dozen or so of my pots.
 She wanted to use them in her garden. I made and delivered  the pieces, and she thought they were great. Later, she invited me over to show me how great they fit in her garden. I was led into her garden and there were of my pieces, turned upside-down, buried up to the foot into the earth, being used as stepping stones.
After getting over my surprise, I realized that once I sold the pieces to her, they were hers to do with whatever she wanted. I then had to agree, they really did look good in her garden.” Don Bendel
  That's how I remember it.

It is not uncommon for me to relate this story when I get asked what one of my pieces is for, a  fairly common occurance, actually. Sometimes they make a suggestion, indicating how they might use it:
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"Well, I could put a candle in it", or I might even suggest something "some people put a frog in the bottom and use it for an Ikebana. Of course either is fine with me. Normally I do explain that what I am really doing is looking at form and construction techniques and playing with them. Function following form. But then I usually define the vessel to them as what it in terms of function, that it is a bowl, or a vase.

It might even look good turned upside-down and used as a stepping stone in a garden!

This one does baffle a decent number  of people:

 I just bet that others (depending on the type of work you do, and maybe how easily it is categorized) get similar or more entertaining responses.

This one does baffle a decent number  of people:

8869082264?profile=originalMmmm, gravy boat? In term of function, I leave it up to the buyer. As form, its what I call a two-sided bowl.

One my  favorites is when I had an 8" maquette of this piece on sale at an art fair:

8869082865?profile=originalPatron: "What is this for?"
Artist : "Its a band-aid dispensor" (the mouth was just about the size to hold 5 band-aids, and, well, after putting your finger in to get a band-aid, you would immediately need another one, as you cut your finger pulling out a band-aid).
The patron was very amused, (but apparently not enough to buy it ).
So, when I have a patron who wants to know, what a piece is for, I like to relate Don's stepping-stone story. It lets the patron know they are free to do whatever they want with the piece, and allows the artist to accept it too.

8869082669?profile=originalCaption: (Don, my sister Sheila, and me at my BFA show, circa 1981

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A few days ago I spoke with Wendy Rosen, best known to this community as the founder of the Buyer's Market of American Craft. Wendy has been a fixture in this business for over 30 years most specifically focusing on the marketing aspect. The Buyer's Market, her magazines (Niche and American Style), her educational arm, the Arts Business Alliance, all are part of her big soapbox for the creative community.

It was a wide ranging conversation including

  • solid tips for better sales at the shows
  • ideas on how to launch a business that grows
  • the economic importance of creativity
  • her campaign for American made goods and strengthening our trade laws
  • interacting with salespeople in the Bright Angel giftshop and asking for American made souvenirs and where they were found
  • picketing for 1st Amendment rights at the gift shops at the national parks and protesting
  • launching her Congressional campaign and how she plans to find herself in Congress
  • how you can learn more and support these initiatives for a career that she calls "scary, fun and wonderful."

Listen here: http://www.artfairinsiders.com/artfairpodcasts

And download it at iTunes: http://itunes.apple.com/us/podcast/art-fair-artists-success-show/id440759328

If you like it -- then at iTunes there is a place where you can "rate" it. Clear at the bottom of the page. Hope you do!

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