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Artist of the Month: Nels Johnson

"I am always looking for the next great shot," says Nels, whose photographs are full of a sensitive use of the light and strong color, reflecting his life growing up in sun-drenched Florida. Art fairs have been his livelihood for over 35 years and his imagery reflects this.

Art Fair Calendar.com

"I have always had a love affair with Key West and go back there regularly for new work. I love the water and do a lot of work along the Gulf, especially the Florida panhandle.

When I'm shooting my photos I try to capture the feeling that you are right beside me, with a cup of coffee as we watch the sun come up over the Bahamas. I look closely at the relationships between colors and look for the designs in nature and in man made objects--because I care to look closer at them--I don't take them for granted."

You'll know you've found Nels at an art fair -- he is this guy in shorts, bearded, with funny color socks, wearing an aloha shirt--they show you this man gets to live the life of the images he captures. Like many others in the art fair business Nels says, "This was the job I was always supposed to have."

Where you can find Nels and his sun-drenched images:

February 13-15, Coconut Grove Arts Festival, Miami
February 20 & 21, Naples National Art Festival, Naples, FL
February 27 & 28, Old Island Days Art Festival, Key West, FL

You'll enjoy reading his very intriguing journey through life at: www.ArtFairCalendar.com/featured artist
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June 12-13Royal Oak Clay, Metal & Glass Show
Royal Oak, Michigan
on Washington Avenue in downtown Royal Oak
Sponsored by the Chamber of Commerce
125 artists
Deadline: March 7

When artists first hear about a show with only Clay, Glass and Metal they
worry about too much competition. Actually it's an advantage. You are
not competing with prints, photos and corndogs. Everyone there is
interested in your artwork.

Patrons are astounded by the variety and depth of possibilities. Artists report that it is a
pleasure to work with customers that already have an understanding of
the medium.
Art Fair Calendar.com
We encourage artists to showcase their methods by giving additional space free to accepted artists that wish to
demonstrate techniques.

Any loud music is buffered by our restaurants and then sponsors, assuring that no artist loses out to music and smoke.

This festival features 125 clay, glass and metal artists, demonstrations and
related activities. As a result we get a large focused audience.

The Royal Oak Clay, Glass & Metal Show provides:
  • Qualified Buyers
  • Cash Awards
  • Overnight Security & Free Parking
  • Artist Breakfast
There is a three year jury rotation system. If you have participated in the last three years you are automatically accepted when you send in your
booth and application fees by deadline. Why shouldn't artists be able
to plan their year?

The art fair is organized by Mark Loeb of Integrity Shows a veteran organizer of metro Detroit events.

NOTE: ONLY CLAY, GLASS AND METAL ARE ACCEPTED. WORK MAY INCORPORATE OTHER ELEMENTS BUT MUST BE PRIMARILY CLAY, GLASS OR METAL. SORRY NO POLYMERS
SUCH AS PRECIOUS METAL CLAY.

For more info: www.RoyalOakChamber.com

APPLY TODAY: www.zapplication.org
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our coconut


This was our fourth Coconut and somehow turned out to be our best. We got lucky with a few big pieces sneaking their way through our Nurit along with the usual stack of cardboard that we usually sell. I call it cardboard when it isn't framed.

We stayed close to our booth this year. In previous years we have wandered the show and talked to people in St. Stephens along with the folks in the Sham Wow and Knife Sharpening Festival in the former expensive parking lot which is now an even more expensive art show. You can pay a thousand dollars and show off your painted rocks. It's nice to know that there are people around who can afford this sort of thing. I just wish they would use their money to buy art instead of paying huge bucks to just show it off.

The Coconut can be unpredictable when it comes to sales. At our first one in 2007 we did twice as well as a friend on Saturday. On Sunday we switched numbers almost exactly. No two years have shown anything like the same pattern.

Two friends of ours who did much better than we did last year didn't do as well as we did this year. They usually kick our butts pretty thoroughly in sales and will no doubt do it again soon. We just got lucky this year when an enlightened couple of apparently ample means bought our most expensive piece.

Nels Johnson (beneath whose crusty exterior beats the heart of a snarling misanthrope) was complaining about his totals and was seen trundling stuff out the gate a little before the show closed. He actually did about the same as we did, but the man is harder to please than most. After finally getting into the show after 25 years of rejection he really did deserve better. I don't blame him for being less than ecstatic.

Right after setup our corner caught a gust of wind that must have been about 70 MPH. About six tents went down around us and ours was skidded over a couple of feet with minimal damage. We had 65 pound weights on the corners and had screwed the feet of the tent onto the asphalt. The extra few seconds it took for the tent to rip out the screws apparently saved it from being blown into the bay.

All the bent tenters became tent renters and went on with the show, with the exception of the painter next to us who went without a canopy the entire three days. Fortunately the weather was cool and sunny so they were comfortable.

This is one of the few shows that will feed you every meal except at teardown. It may not be gourmet in every case but it's calories, folks. At the award dinner they had two kinds of rice that were very well prepared. It would have been nice had there been something to go with it besides salad. Halfway through the dinner they came out with cream puffs and key lime pie. There was enough for about a third of the crowd. The waiter brought out a tray that got cleaned out and went back through the swinging doors, apparently for more. Then he came out, leaned on the door, and watched us while we were waiting for the next batch. He enjoyed this for about ten minutes until someone asked him if there was any more coming. He smiled broadly, said they were out, and went back into the kitchen. I am not making that up.

Our setup and teardown went well since we are on a corner next to the info booth. We are able to park our van out of everyone's way during setup and teardown. We had made friends with the gate guard and he let us into the entrance that was right next to our booth. Nels, not far down from us, paid an extra fifteen bucks for a nearby parking spot that day so he could get out a half hour earlier.

We are looking forward to doing this show again and will bring more weights next time.
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St Stephen's Art Festival

So this was my first year at St Stephen's. My van was giving me problems so I left for coconut grove much earlier than I needed to I got to the show very early and of course I got a little lost. I truly hate a downtown area. Called the phone # that came with the paperwork and got a hold of Daisy the new show director and she was able to get me unlost with good directions. I found a pay parking lot close to the show and decided since I was early I'd walk St Stephen's, see where my spot was and how things were going. Found my spot right away and a friend of mine was setting up only 2 booths away from me so that was an added bonus. Our set-up time was 12pm and I starting walking the show about 11am, apparently the staff knew about the bad weather coming and were letting us early birds get our booths unloaded and set up before it got here, Which I thought was very considerate of them. Also the spots were clearly marked with the corners outlined and arrows as to where to start the booth, very nice. So I pull in was able to get right next to my spot. Put up my tent but didn't raise it all the way, left it at halfmast unloaded the display and boxes then parked the van back in the same lot which was about 1 1/2 blocks from the show. Set up my shelves and curtains put all of the boxes inside, weighted the corners and also tied down to the heavy parking stones behind my booth, still leaving it at halfmast. I stayed with a friend about 20 mins from the grove got there about 3pm and we watched the weather with our fingers crossed, having done everything I could to protect my booth I tried not to stress about it too much and it was just fine in the morning when we got there to finish setting up.
At first I didn't like my spot and thought since this was my first year I was paying my dues with a bad spot. I was wrong, sales on all 3 days didn't really start until after 1 and then it was hard to get a break, as a nod to the bad economy I made a lot of the smaller pieces, should have made more bigger ones. Sold out of all my big dragons on sat, sun found one in the overstock boxes that I'd missed while setting up, put it out and by 2pm it had found a home. There were bathrooms real ones just for the artists, coffee and breakfast stuff all 3 mornings. A spaghetti dinner Sunday night, which we didn't go to, had other plans. A staff member came by at various times during the show to see how things were going. The judges actually came into the booths and talked to us. We were given breakdown instructions, lo and behold they stuck to them, had to breakdown your booth completely including the tent before you got a load out pass, then I just drove in and loaded up. What a pleasure, but then of course I had to navigate the downtown area to get back to 95 but I survived it. The staff at St. Stephen's did a good job and were available and friendly. I also liked the fact that when a patron came into the show they each got a program right away, with a map of the show included. Did see some buy sell but not a lot, overall the quality was good.
I walked the Grove show on Monday morning while my friend took care of my booth. First if you wanted a program you had to hunt one down, there was some very impressive art at the show and there was some not so great. I was surprised to see hammocks, wooden utensils, the obligatory Peruvian art which seems to be at every show, so so beaded jewelry. A friend was at the Grove show and blamed the doctored pics that were sent in. Also she noticed that none of the committee was comparing the zapp pics with the set up booths, which they do for Melbourne and Virginia Boardwalk. $800 is a hefty fee, surely for that kind of money they can do a better job at policing the exhibitors that they let in.
So to wrap things up I truly enjoyed my first St Stephen's experience, set up was a breeze, breakdown went smoothly, sales were good my own fault they weren't better. Will bring more bigger pieces next year and only got lost once. Oh and the van with over 423,000 miles on it didn't break down, a big plus any day.
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Delray Garlic Festival

The 3rd year doing this fun event. Friday was a weather disaster with tornado warnings shutting down the sane artists. I was lucky in that there was a huge tree about 2 feet from the back of my tent to tie to. I had foot weights, leg weights, 12" forged iron stakes, and tied to the tree. When the storm hit, the wind forced the top and sides to separate, let in the downpour,, and tipped the tables I was holding onto! I was holding on for dear life and at that point I thought "I must be crazy". ( I really doubt my sanity at times like these!) When the rain slowed, I lowered my tent way down, re-tied, restaked, and went home to get warm. Many tents were damaged or lost.

Saturday was very cold for south Florida and most folks had their hands in their pockets. Sunday was much nicer, but still cold. Proceeds were about equal to past years.

The staff headed by Suzanne and Irish are above and beyond, and seem to be everywhere, helping everyone. The music and food are just fantastic and the show closed on Sunday evening with a great Journey tribute band.

This show may not be the best money maker but it sure is fun with a great mix....a little of everything. It raises huge amounts of money for this beautiful community.

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Save the Date - July 17 & 18

As though July 17 & 18 weren't already very popular dates in the Midwest, a new event will be popping up this summer in Port Huron, Michigan.

This is the weekend of the very cool Port Huron to Mackinaw (sail) Boat Race. Boaters flock to Port Huron for the festivities and to see the boats take off on Saturday morning. To this point there have been no organized activities to keep the visitors in town and contribute to the city of Port Huron. However, the ink is not quite dry on an agreement between the City and Jonathan Witz Associates (producer of Motown Winter Blast, Detroit's River Days and Arts Beats & Eats) to host a festival.

One part will be an art fair with approximately 85 exhibitors. The event will take place on Friday and Saturday, the booth fee will be around $200 and the application fee $10. I will be in charge of the art fair. Those of you who have been in the business for awhile will know if you fit the profile of someone who can take advantage of this water loving summer crowd.

We hope to have a web site up very soon and we will be using Entry Thingy for the applications. Please mark this on your calendar. You will be the first to know when we are ready.
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Osceola/Kissimmee FL

Great award money to lure you in and if you didn't receive an award..you lost for the weekend! Weather bad, but not good turnout and the ones that did come, looking for $20. items...Buy and sell, lot's of newbies, bad location...EZ ups were flying..duh..weights? My crafter neighbors were trying to teach me how to make $...blah, blah, blah! They were excited for making $450. Promoter was nice tho!..Good awards breakfast..but that is not what I do shows for! Kissimmee can kiss a my! Mad at my better half for booking me this one!
Stevo!
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Question 6 of our 40 Question series will round off the subject of booth design, yet don't be surprised if future questions bring up some additional ideas on the topic. This is my favorite question because it opens the door for creativity, its one of the most talked about topics among craft artists, and there are no bad answers.

Question 6: How can I attract customers into my booth?

The best answer is to make sure you incorporate the five senses into your booth. To romance the customer these days you just can't rely on the sense of sight any more because art fair patrons are bombarded by so much visual noise the mind can't handle it. To maximize your chances of getting lots of customers into your booth, you'' need to pick at least two of the five senses that you think would do work well with what you make and start using them in your booth.

Sense of Sight.Ok, this might seem easy as art work is visual to begin with, right? Well, what if your work is small - like jewelry? How can a person, hugging the middle of the aisle, see what earrings you have from a distance? The answer is large format photography. Large format photography, as well as banners, have an amazing visual draw for customers because it has a billboard effect. All it takes is a single glance at a large photograph of someones art to make them want to take a closer look – and there lies the hook. Banners something as simple as ones you can create yourself either through an office supply store's print center or via Vistaprint.com can not only include a logo or photo of your work, but adding your business name or website address kicks it up a couple more notches. Don't be afraid to demonstrate! Seeing someone work with clay, create a beaded necklace, or paint a picture will live draw crowds too. Not only that, it helps pass the time when a show is slow. As a matter of fact, there are some shows that encourage exhibitors to demonstrate offering them prime booth space to show off their talents as promoters eat this up too adding authenticity to their show. However, large print photography can do this too if you cannot physically demonstrate.

Sense of Smell. The sense of smell, next to the sense of sight, is probably the most powerful of them all. Aromas can set people in a good mood as well as cause discomfort. Aromatherapy is the hottest thing in the market and can be achieved in any kind of booth. Although most people think of candles when they think of smells, but there are other things available like Febreeze air freshener sprays, reed diffusers, oils, even fabric sheets (storing 1-2 sheets with your table coverings for example) all work well. Neutral scents such as vanilla, clean laundry, lavender, some foodie scents, and even ocean type fragrances are ideal as they are very soft and promotes a relaxed positive buying atmosphere. For those looking to create an energetic vibe, citrus scents like lemon and bergamot mixed with herbal fragrances such as cilantro or basil will perk up customers as well as yourself if you find you are having a long day at a show. Although you can find many items at local stores, my craft business, By the Bay Botanicals, specializes in aromatherapy products and you can visit my website, www.bythebaybotanicals.com , to learn more about what I create and sell. Sorry for the shameless plug.

Sense of Hearing. All kinds of noise is around us at shows and good sounds can work to your advantage. One of the most common ways to attract people is through music. With iPods and portable CD boom boxes prevalent in today's society, anyone can incorporate music with their display. I highly recommend playing instrumental music (acoustic guitar, classical music, and dulcimer/celtic music are good examples) played at a soft decibel level works best. I cannot tell you how many compliments I have received during the holidays where I bring my mp3 player with a large selection of Christmas music and play it at shows as many promoters either forget or play one cd over and over again making many people agitated. The best sound of all though, to get people to enter a booth, is the sound of people. People talking about a product, laughing, carrying on a conversation, or hearing the pleasant voice of an exhibitor explaining how their artwork is made are all very effective. All it takes is two people talking to encourage more to come in and look.

The Sense of Touch. From the time we were little kids we have to touch EVERYTHING and we don't really out grow it. People cannot resist touching the dried paint of an oil painting, try on a bracelet, the feeling of a silk scarf between their fingers, as well as the desire to sit on a classy piece of wooden furniture. Its just an instinct we all have and the best way to encourage this response is to make your work available for people to touch. Hang it – fabric art, necklaces, photography (with a bin to rummage through prints)... If you can't hang your work, use signs saying “touch me!” or ask if someone needs help trying something on say if it is behind glass and assist them. The more people touch an item the more likely they will buy it as it starts the bonding process. Someone might not like the rigidness of one ceramic mug, but will then begin their search for one that is to their liking because now they have it in their mind if I find one “I” like, “I” will buy it.

Sense of Taste. I know you are thinking, Michelle you are crazy for suggesting taste! People should NOT be tasting my art work. And you are right, however think outside the box. To be more specific, the candy box. Candy or mints can be a welcomed tension breaker. Wrapped candies, such as Andes mints during the holidays, dum-dum lollipops, or butterscotch candies create a big draw for both kids and adults. Offering candies might not work all the time, but 1 out of 5 customers will use the opportunity to snack and browse. The longer a customer is in your booth the better your chances are they will buy from you. Offering something like candy will also make people remember you as the “lifesaver” who helped prevent bad breath or provided relief from a sore throat. You can also use it to your advantage. A great colleague of mine, Bruce Baker, told me a story of his wife who used Hershey kisses to entice people to sign up for their mailing list. She had a small bowl of Hershey kisses next to a sign in book with a sign reading “free “kiss” to those who sign up for our mailing list”. It got people talking and creating a stir where the guys asked for “real kisses” over the chocolate kind and really aided in building their marketing list. All that with a chocolate candy.

Hopefully this blog post has provided some food for thought (no pun intended) when it comes to ideas for drawing people into your booth. I strongly encourage you to try at least one or two of these ideas or use some of your own. Not all will work for every artist, but without trying you will never know which might yield a treasure trove of leads and sales. Have a story to share on this topic? Share it using the comment button at the bottom of this blog.

The next several questions in this series, as we leave the topic of booth design, will get into the subject of product development. I can't wait to discuss things like finding your niche through looking at current trends, how to prevent burn-out, and then diving into new and creative art forms that people are buying now.

Michelle Sholund
www.quickcraftartisttips.blogspot.com
www.bythebaybotanicals.com
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Artigras 2010 - is it the weather?

This year's show in Jupiter much the same as last years. Weather was cold and windy Saturday, slightly better on Sunday, and beautiful on Monday.

I don't think the crowds were as large as year, but then I was in a new spot, way down on the south end of Central Ave near the Geico clowns. I had a nice spot with a big corner, so I was happy, but the traffic seemed to turn around when they saw all the sponsor booths on the other side of the street. The middle of the show seemed to be hopping pretty good.

Still I did about as well as last year, which was way better than a lot of other artists I talked to. One wood turner friend had very slow sales -- maybe because there were four other turners in his block? The two jewelers I know did alright, but not nearly as well as you would have thought for Valentine's Day. And I saw two photographers with Italian images on canvas directly across from each other. That's not good for either one of them.

Logistically, it's an easy show to do, with a full day to set up on Friday, and loads of parking at both ends of the show. But the rules enforcement is odd at best, to be tactful. One jeweler brought her van in through a "non-sanctioned" gate for load out, following a group of other artist vans, and was told by a show volunteer that she MUST leave the show grounds and re-enter the street through the proper entrance. Her jewelry was all laying out, so the volunteer told her she would watch it while the artist moved her van. The artist complied (I would have told her to take a hike) and five minutes later the volunteer had left the scene. Another friend was trying to dolly out that same "non-sanctioned" entrance to the parking behind it, and was told that the gate was closed. He lost it and gave the security person a piece of his mind and was finally "allowed" to dolly his gear out.

The painter next to me was ready to load-out, and was told he had to drive through all the traffic on the street ahead, rather than backing out the entrance, which was two vehicles from his van. The security guy told us that the traffic tie-ups were the artists fault, and we should go talk to them. What about keeping parked vans out of the middle of the street? Isn't that what security should be doing? Ten minutes later, the gate Nazi had left the scene, leaving the entrance wide open. Yikes, these folks are clueless. Let the artists handle it, and the street is clear in two hours.

The rules that do get enforced, as per above, are almost arbitrary and controlling, while buy/sell, expressly prohibited, runs rampant. Come on, wood sculpture, in the form of "Appalachian" Bread Knives, in boxes from China in back of the booth: handmade by the artist? Maybe it's the boxes that are made in China. He gets in every year, and hey, he's a fun guy. Lots of imported jewelry, too. But that rule clearly is not enforced.

Communication by the show director is non-existent, too. Evidence of that is no artist survey in packet, no phone calls returned (ever), and emails answered by the Artist Relations Manager, who, by the way, is very nice, visible and helpful during the show. Never once even saw the show director on the street. In general, this is a show that treats artists like vendors. No lunch ticket? No lunch. Trust is clearly an issue here.

Artigras is one of those shows that you wish had a better crowd, more tightly focused quality and consistent adherence to rules that actually matter. And the sales were just not there. Many of my friends said, "Never again". For me, if I'm in Florida for a good show, I'd consider ArtiGras as a filler show. But good shows in Florida seem further and further apart these days.

Jim
dakkid@twitter

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ArtiGras/Mt Dora

My husband is exhibed at Arti Gras, its his worst show ever. After exhibiting at this show for over 10 years he took a year off.(his sales were still over 6,000 then) Returning this year was a mistake. Large crowds Saturday and Sunday, Monday had dropped off.
but like other shows this year they are not buying. Sunday was the best for him, several artist near him sold nothing!
Did anyone exhibit at St stephens? I did last year had a decent show, this year I was accepted and declined, had the feeling it would be a bad decision to return, hope I was wrong and it was good for everyone there..I was also at Mt Dora my sales were great, unfortunately the artist next to had no sales.and the other side of me said he won't return. Last year sales were also down for many, including me. I was shocked to do so well almost as much as I did there 6 years ago. Several of my customers commented they were purchasing small items.
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Coconut Point, Estero FL Feb. 13-14

Finally, a show where I can honestly say I was too busy to walk around and talk with artists about how well they were doing (or not)!

Howard Alan is clearly targeting this show to be a new "flagship" show to replace his Naples 5th Avenue show, and from what I saw and experienced it just may do that in a few years. This was my strongest show of the year to date, and crowds were steady throughout the weekend. And except for the early morning hours each day, when it seemed customers forsook their morning coffee to get to the show on time, the folks were BUYING. The pottery artist next to me was wrapping purchases every time I looked up on Saturday. Although the first day wasn't a biggie for me, this is my third time doing this show, and it's always seemed to be a "Sunday show." This year followed suit, as I saw bags large and small in the grasp of patrons on Day 2, and I had folks 2- and 3-deep at the sales desk much of the afternoon.

Because the site venue is in front of the shopping center (NOT behind it or in a distant parking lot), the show was easy to see and to get to for patrons. For artists, it meant that a Friday setup was available. Mother Nature had other plans, though, and a cold front, accompanied by 30-40 mph winds, whipped through SW Florida on Friday between 2 and 4 PM. A couple of tents buckled during setup, and many of us chose to either wait until Saturday morning entirely, or to just erect the canopy tops, stash the booth supplies, and finish setup in the morning. Saturday was cool-to-cold and still breezy, but the sun came out by noon, and so did the crowds.

The only negative I saw was the teardown. No one could drive their vehicle into the show area until 6 PM (enforced by mall security, as far as I could tell). Most of us were well broken down by then, so the traffic jam when the gates parted was memorable for its chaos. Since I live nearby, I just finished breakdown and headed for dinner at Panera Bread until 7:30. Lots of folks were still packing up, but at least you could navigate the aisles.

The show roster was full, or nearly so, so many of you probably did this show too. Hopefully you'll post your impressions in response to mine: as I said, I didn't have a chance to get around, and your results may vary!
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While we've talked about booth design, themes and merchandising there's a few other items that cannot go left unmentioned. What I am talking about is the use of good lighting, flooring and canopies. Bear with me if you feel you have this part down pat or this doesn't apply to you – I still might be able to surprise even the most veteran of art fair exhibitors with the following tips and ideas. Note: The photo provided is of my own display with my new Trimline canopy and flooring. I didn't use lighting as you can see, it was a sunny day.


In the past, I really didn't see a need for lighting or a canopy. When I first started out, I did indoor shows and didn't understand why a canopy or why shelling out more money for electricity to have a lamp or two, or why should I have something on the floor of my booth was necessary. It wasn't until I saw a few great booth displays that I had my ah-ha moment. What I saw was well lit booths drew more customers as light made objects pop. Good flooring helped your feet feel comfortable when standing all day long. Then when I decided venturing out and wanting to do outdoor events, a canopy was a must as it is a kind of insurance against the elements. So I was left a bunch of questions on which is best for me.


In my search I learned there are such things as bad canopies and lighting. It is still a learning process as even as recent as this past summer (July 2009) I had to get a new canopy. I must say if you are just starting out and have an idea of what you want your booth to look like, it is only at this point you should think about crossing this bridge or else you could find yourself waisting time and money.


Lighting

There are a couple of types and styles of lighting to consider such as wattage, where to place it, and what kind. When it comes to wattage, some shows limit the amount of wattage to prevent fires or short circuits. Most experts recommend using anywhere from 500-1,200 watts to illuminate a 10x10 booth and several smaller lights is better than one or two bigger ones. Placing the lights at a distance above the heads of your customers yet angled so they don't create shadows and light up your work is ideal. Track lighting works if you want light to shine down, from the top of your canopy as well as clamp on lights which can be found at hardware stores, office supply stores, IKEA, Wal-Mart, and Target as well as online display lighting companies such as www.brightmandesign.com . Do look into the differences of tungsten and halogen lights might have on your work as some lights work well for primitive style crafts while others are better for 2D artwork and jewelry.


Flooring

Good flooring will not only make you and your customers feet happy standing for long hours at a time, but also enhances your display too. Flooring can come in different styles like 8x10 carpeting, fake grass or bamboo mats, and anti-fatigue mats. Well, worth trying if you haven't already.


Canopies

Canopies have come a long way since the 1970's. Canopies now come in different prices yet in two standard styles: pop-up or dome. EZ-Up's and Caravan's are most common at shows. However, the ones that last the longest are the dome canopies such as the ones offered by Trimline. I own a Trimline and love it. For me, it is by far the best on the market as it is reliable and the design is very sturdy. Despite the expense, I can even set it up by myself. There are many art/craft message boards where people freely share their experiences about the canopies they have used – I highly recommend doing this to learn more about the different canopies in the marketplace. Lastly, when you have purchased your canopy take the time and set it up a couple of times before your next show. It can be very tricky or confusing to do at first, however you can't afford to waste it figuring out how to set one up when time is ticking during set-up time at a show. The next question will be all about how to attract people into your booth using the five senses.

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Wishing all my artist friends that are in FL for Coconut Grove, St Stephen's and Artigras this weekend best of luck! Here is an article on Miami.com about the CGAF. Sounds like the organizers are struggling in this economy in producing the show and are wondering if they will make it to the 50th anniversary.

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new_logo_01_000.jpgBringing art to the community and the community to art. That's the mission of the Guild of Artists & Artisans. The Guild, which has been a force in the art fair world for more than 40 years, is best known for its award-winning Ann Arbor Summer Art Fair. Guild events have a reputation for excellent advertising, attendance and artist amenities.

You can apply online right now for the Guild's 2010 spring and summer shows. The Guild's fair applications can be found at www.juriedartservices.com and are open through midnight EST on February 15, 2010.

If you need any assistance in setting up your JAS profile, or have any questions about the Guild and its
events, contact the Guild -- 734.662.3382 or info@theguild.org. You can learn more about the Guild and its events by visiting its web site, www.theguild.org.

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29th Annual Art Birmingham
May 15 & 16

Held in Birmingham, Michigan, in the heart of affluent Oakland County.
Art Birmingham, originally known as the Birmingham Fine Art Festival, celebrates its 29th anniversary with a 6a00e54fba8a73883300e55227fb088833-200pinew and extraordinary location. The event moves from Shain Park to South Old Woodward, the celebrated gateway to downtown Birmingham. Unique shopping and fabulous restaurants line the street, drawing upscale shoppers and residents from throughout Oakland County and beyond.

More than 160 juried artists will be featured in this elegant setting. More than 70,000 fairgoers attend this annual spring event.


The Birmingham Bloomfield Art Center is pleased to announce that it will be presenting this event in association with The Guild of Artists & Artisans. This new collaboration will help the BBAC continue to be a regional resource for the arts, artists and art education while ensuring the continuation of this highly respected fine art fair.

Apply: www.juriedartservices.com

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5th Annual Crocker Park Art Fair,
Westlake, Ohio
June 12 & 13
Crocker Park Art Fair

Crocker Park, in Westlake, Ohio, will host the 5th Annual Crocker Park Fine Art Fair
in June. The event will feature 130 juried fine art and fine craft artists. Admission is free, as well as parking for both fairgoers and artists. The fair is Crocker Park's most respected and best attended event; more than 100,000 fairgoers attend each year.

A popular destination, Crocker Park is the $400 million innovative outdoor lifestyle complex just 12 miles from Cleveland. It features a sophisticated mix of national retailers and eclectic local favorites plus restaurants, cafes, a multi-screen movie theater, beautiful luxury apartments and office space - all together in a congenial
neighborhood of parks and tree-lined streets. Crocker Park is an extremely popular destination for families of all ages. Community support for the complex and its events is excellent and growing.


Event advertising will be featured in the Cleveland Plain Dealer, the Cleveland

Jewish News, Westlife and the Crocker Park Press. Print advertising will be supplemented with radio advertising on WCLV, WCPN, WMJI and WDOK.

Apply: www.juriedartservices.com

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41st Annual Ann Arbor Art Fair
July 21-24

The Guild's flagship event, started in the heyday of the art fair startups, continues its popularity with artists and fairgoers alike.
Art Fair Calendar.com
The Ann Arbor Summer Art Fair is one of four official partner fairs that comprise the award-winning and highly respected Ann Arbor Art Fair. More than 600,000 people attend the event each year. The Summer Art Fair is located in the heart of Ann Arbor stretching from its charming downtown to the campus of University of Michigan.

The Summer Art Fair has 375 artist booths, activities for young fair attendees, art demonstrations and lively entertainment. It consistently appears in Sunshine Artist Magazine's annual best shows listing and was recently named to the top 25 shows in sales by Art Fair SourceBook.

The Ann Arbor event receives exceptional media attention; the event is covered not only by local and regional media, but consistently gains the attention of media throughout the Midwest and beyond.

Apply:
www.juriedartservices.com

Deadline: February 15

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6th Annual Levis Commons Art Fair
Perrysburg, OH
August 21 & 22

Art Fair Calendar.com

Held on the streets surrounding this popular shopping destination in an upscale area outside of Toledo, OH, the Town Center at Levis Commons, a unique "open-air lifestyle experience," features sophisticated shopping, superb dining and entertainment and is located in lovely Perrysburg, Ohio. It's the perfect setting for an exceptional art fair. Parking and admission are free. The event features 130 artists. More than 35,000 fairgoers attend each year.

Event advertising will be featured in daily and community newspapers and magazines, including the Toledo Blade, the Toledo City Paper, the Toledo Free PressPerrysburg Messenger Journal and more. Print advertising will be supplemented with radio advertising. The number one radio station in the Toledo area, K100, has been and continues to be the major media partner for the event.


Apply: www.juriedartservices.com
Deadline: February 15
Read more…

While we have been on the topic of booth design, I feel the subject of effective merchandising needs to be addressed. Merchandising and booth display needs to go hand in hand.


Question 4 – What is merchandising and what are some effective merchandising techniques?


Merchandising is a common term used in the retail business. It is all about the way the merchandise is presented to maximize visibility and accessibility. Poor merchandising can wreck even the best booth displays. Some examples of poor merchandising includes piling items on top of another either in a bin or on a flat table, poor lighting, work displayed too high or low, too much visual noise, and dirty or unorganized displays. A customer, who has never seen your work before, will judge your work by the way it is displayed well before they even really look at your work. Take off the rose colored glasses and ask yourself what is going on in my booth when people enter it? If they are only staying in the booth for under thirty seconds, you may want to explore new ways of displaying your work differently.


For great merchandising to occur, there are two basic elements to follow: simplicity and organization/neatness. Look in print ads or even specialty gift shops and you'll see these elements. Simplicity is all about displaying one's work where the product is the only thing people see, nothing else. To achieve simplicity in a booth, some ideas include using clear acrylic risers, stacked crates, garment racks, good signage, and minimal use of furniture. If your booth requires the use of tables, raise them up to become counters. The use of clear acrylic risers, leg extenders, crates or table topper displays are very effective as well. Garment racks or waterfall grid wall displays provide a perfect way to show off knitted sweaters, scarves, even purses.


In most cases, you only have a 10x10 space – not much room for an elaborate display, so don't force it! Customers should feel as if they are in a boutique or gallery, not a flea market, when they approach your booth. Not only will a cluttered display limit the amount of customers in your booth at one time, but prevent them from wanting to touch items for fear of breakage too. You want people to touch your work. They will more likely buy it if they do. Items displayed well will encourage a touch response and, for a one-two punch, put your price labels on the bottom or back of your craft work. This will force customers to touch and notice the craftsmanship that goes into your work making for an easier way to sell your work, right?


Signage, such as simply made small signs - 3x5 index cards or smaller with short phrases, will romance a customer. Signs can include the story of the item such as materials used in making it (wood turners take note), name of the piece and price, testimonials, or reasons why people buy should buy a particular piece of art. For example, a note stating “our best seller” is very attractive to customer who cannot make up their mind.


The next question in the series will focus on lighting, flooring, and canopies – oh my. As we progress, through this series, we'll begin tackling questions focusing on product development – including pricing ones work, customer service techniques, marketing your work before, during and after art fairs, and so much more. Do you have additional questions regarding merchandising? Leave a comment or email me at mksholund@gmail.com and I will personally respond! - Michelle Sholund


Read more…

The next question in this series expands on what was covered in Question 1&2. Now lets talk about booth theme and creating your look using display furniture.


Question 3. What is booth theme and where can “I” find the right display furniture to emulate my theme best suited for the medium I work in?


What is booth theme? The theme of a booth is the environment customers physically enter into to experience ones work allowing for an easy transition from work to booth display in order to create a positive and comfortable buying environment that features ones work, not over powers it. If you have more people saying “wow nice booth” over “what beautiful artwork you have” then may have fallen into this pitfall.


Some common themes are visible in everyday places where you shop or eat. Visit your favorite shops and restaurants and see what theme they are trying to represent. What makes Victoria's Secret feminine and classy? What eco-friendly themes are visible with salons and spas? What makes shabby chic styles what they are at home décor boutiques? Maybe you see a cozy cabin/nature retreat like Caribou Coffee? The idea is when a customer enters a booth it is almost like they are transported to a different place where their troubles are melted away and in the mind frame to shop. Really look at what you create and think about what it tells you – what theme direction are you going in? For instance, leather-work, like belts or purses, may best housed in an environment that is rich looking with nice neutral earth tones and using accessors such as horse or cow hide.


Like mediums will sell with like display furniture. Wood sells well when displayed on wooden tables or shelving. Photographs and other 2D work are great displaed using grid wall or on panels (such as that offered by ProPanels.com) with additional prints housed in a photo bin nearby. Museum type pieces, like sculptures, are ideal on pedestals. Fabric art should be hanging or draped (like silk scarves) rather than messy and displayed in a bin. Pottery is great relaxing on wooden shelving painted black or white or perched on pedestals depending on the type of pottery/ceramic pieces. Using the right display furniture will make you look very professional rather than as an amateur craft artist.


Where can one purchase these display fixtures? First, use the resources you have already – display furniture you own already for instance. There are some great finds at local auctions, businesses that are going out of business, yard sales, antique shops as well as through Craigslist.com . When you have exhausted these resources, it is time to look into websites that specialize in retail display fixtures. Many of these places have ads in art/craft publications or can be found through some simple web searches. A few that I have found, that may work for you, are www.woodlandmarketing.com and www.kddisplay.com for wooden displays, www.warnerusa.com and www.fetpak.com for jewelry displays, as well as www.kc-store-fixtures.com for everything else (including gridwall). These business are only the tip of the iceberg as to many others that specialize in all types of display fixtures.


Lastly, when looking at getting display furniture and accessories for your booth remember that this is easily transportable. Too many times I see exhibitors about to erect a house rather than a booth and carry more display stuff than art work to shows – is this really wise? If you are one person doing these shows, make sure the display is light and easy to set up as well as fit in your vehicle. Rule of thumb, you should be able to have your display up within 1 hour and the rest of the time devoted to merchandising. Next blog topic will cover merchandising tips.


Note: The photo is one I took of from Best Booth Display award winner Sugar Hill (out of VA) from the Summer Four Seasons Fine Art and Craft Market in 2008.

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40 Questions Blog Series: Question 1&2 – Developing your Booth Display Style


To kick off the Blog Series called 40 Questions, the first several questions will cover the area of boothdesign. Booth design covers style, function, cover/protection, andso on. The following questions are all about finding your ownpersonal style which should flow into branding your art/craftbusiness. Do follow along, using a piece of paper or journal andwriting down the questions and answer them as honestly as you cantaking your time when answering them.


Question 1: Picture yourself with a limitless amount of funds to spend however you want.Using that money describe how your ideal booth would look like?Think about color, texture, fixtures, what you have seen atshows that stood out, whatever...


Question 2: Because we all budget our money, are there still ways you can make your dream booth become areality?


I first did this exercise when I worked for Starbucks. I was goingthrough a management program and in efforts to attract more peopleinto the store we were asked how would your ideal store look. Withworking with others in this exercise ideas ranged from having agarden like courtyard cafe seating, aesthetic aquariums, messageboards to promote a local dating service, live entertainment areas,and funky furniture. I still use this exercise and have applied itin designing my own booth display. My current booth design beganwhen I looked at my logo, a dew kissed green leaf with a light bluebackground – tranquil colors. The name of my craft business is Bythe Bay Botanicals and focuses around products that promotetranquility. Staying with this theme it was clear the design neededto be natural, showing off my craft, but still be true to theme. Ishopped for natural pine shelving displays and incorporated two tables, whichI already had. I bought white table coverings that went to theground and a short table covering of ocean blue as well as covered the pine shelves with patio furniture fabric that matched my theme colors. With the additionof some silk flowered vines and lighting I created a display thatmatched my products. This new display not only allowed customers to shop freely and allow more room display my craft, people remembered my business name better and could easily find me at shows at it stood out from the crowd - all that was accomplished through a little bit of change into my booth display.


As you look at your current display you may find you are happy withits design, but need to tweak it a little. Working with dimension, having your work visible at different eye levels can be a great solution. It is a great remedy if you find customersfeeling cramped in your booth. Shelving or stacked crates are just two ideas that can createdimension and doesn't have to be expensive. Think about color –customers are attracted to color and if every booth is acookie-cutter white booth with white table covering (one after another)you will loose to those that embrace color.You want to create an identity that is all your own. I have seensome great ideas where one used tulle in 1-2 colors wrapped about thepoles of their canopy or incorporated astro turf into their displayto sell garden art.


My final thoughts. In designing your booth, it is important to havea booth that regular customers will recognize, but at the same timecreates a buzz that your items are fresh and that you do offer newart/craft work at each show or it varies from season to season. Think back to past shows and booths you have seen. Are there booths that seems stale because it doesn't change.Don't you get the impression that they sell the same thing over andover, year after year because their booth display is the same year after year? Don't be the owner of the boring booth! The next question in this series divesinto developing a booth theme as well as how to find booth displayfurniture and what kind is ideal for each medium. Stay tuned...

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Deerfield Beach 2010

Beautiful location with lots of "shoppers"...people in swimsuits with no wallets! Sales not nearly what I expected.

The judging was a disgrace! One woman judge who walked in looked at my name and left. I watched as she did the same for my neighbors. Those of us who have won some big prizes were astounded at her lack of interest and it was discussed at length with the show committee. They stated that many artists had come to them with the same comments. We came up with a suggestion.....having a group of about 6 local art teachers do the judging next year. This would bring added exposure to the arts in the schools program plus lots of local newspaper photos and coverage. The committee was thrilled with the suggestion and will use it next year, thank God!

The hospitality was so nice with beverages, lunch, and a sunday breakfast. The weather was fine until % PM on sunday and when it came time to load up the wind and rain were really coming down.....but thank God it waited till the show was over!

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New
Blog Series: Forty Questions - Identifying problems and issues and
tips on solving them.



Buckle your seat belts as over the next few weeks, with the support of Connie Mettler, I will be doing a blog series regarding my 40 questions method in helping to identify problems craft artists have today and offer ideas on how to solve them. This series will be posted via my own blog, www.quickcraftartisttips.blogspot.com as well as here on Artfairinsiders.com . I encourage all to add your thoughts regarding each topic covered that will be posted either every day or every other day.

First,here's a bit of background about myself as well as how I came up with
these 40 questions...

Back in 1997 I was involved with a groupof crafts people who all shared in a need to want to do more in getting
the word out on how to become better business people, but gear it to
craft artists who do art fairs and other similar events. Through
sharing our frustrations, ideas, tips, etc. I started the Mid-Atlantic
Crafter Expo which was like a typical expo but for craft artists. What
made the event what it was is that we had 15 different exhibitors from
website designers, promoters, jury slide photographers, and two keynote
speakers and 7 other mini speakers talk about tips on designing a
website, how to organize one's workshop, report on trends of what was
going on at shows (back then), and so much more. This event helped so
many people, but due to funding I couldn't afford to do a follow up
event. Regardless this opened the door for me to do consulting work and
give talks at seminars on how to not just be a great artist but be a
great business person too. It was at this time I developed a 40
question survey to learn a little about the clients I was working with
to help identify what they their needs and problems are to come of with
some effective solutions.

At this time, Feb 10th, 2010, I am snowed in in Maryland and I have nothing buttime to share my tips, for free, on this topic. As Spring art fairs and
festivals will be around the corner (which can't come soon enough!) and the beginning of a new decade,
it is clear folks are looking for answers now. This is the best time to
work together on these questions, using both my personal experiences
and others, to share with those who follow my blog regularly as well as
with folks on
www.artfairinsiders.com .

Starting today I will be postingthese 40 questions and doing my best to answer them, not only from my
own perspective with my own business, but open it up to you, my friends
and colleagues to share your thoughts as well. I suggest answering
these questions yourself and keeping a record of your answers as we take
this adventure together in finding more about ourselves as artists as
well as being better business people too. Again, please stay tuned
every day or every other day for new blog posts and if you have any
questions yourself that you would like me to address, please email me at
mksholund@gmail.com !
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You have got to hand it to these art fair organizers in Michigan -- they don't give up. Here is the latest in a series of events moving its location, and in my humble opinion, coming up with a winner!

8th Annual Orchard Lake Fine Art Show - July 30-August 1, 2010

2010 New Improved Location!
We are very excited to announce that in 2010, the 8th Annual Orchard Lake Fine Art Show™ has a new and improved location in West Bloomfield, right down the street from its previous location, now with high visibility from a major road, Orchard Lake Road, between 14 & 15 Mile Roads, on a street that provides access for local businesses in the area and plenty of free parking! In addition Hot Works has teamed up with Charter Township of West Bloomfield which offers great community involvement! West Bloomfield, MI has been voted Money Magazine’s Best Places to Live! Same promoter, same jurors who ensure the event remains high quality, same great promotional and media campaign, same everything – except a different, more superior location!


Read more…