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The trend in Art Fairs seems to be that there is an ever increasing disconnect between artists and the people who are running the shows. This is not a positive thing because the artists I talk to at shows feel like they are being treated like carnival workers. I have seen open hostility and outright anger between show personnel and artists at every show. So, I'm happy to report that the KRASL Art Fair was a wonderful experience. It was just like the old days. In fact, everyone who did this show was gushing with praise for Sara Shambarger and her cadre of helpers who tirelessly made sure that the artists felt welcome and that their needs were met. This is the new(old) standard on how to run a show(are you listening Gasparilla)!!!

The amazing thing about this show is that Sara and her crew worked out every last detail in an intelligent manner. The show layout was superb. The show was laid out in pretty much a straight line with booths facing each other with plenty of space in front of and between booths. There was not a bad spot in the show. The food booths were away from the artists, but, easily accessible to everyone. The music stage was away from the artists, yet, everyone could hear the music if they chose to. The volunteers and the booth sitters were always in sight and available. And, they were extremely warm and friendly. They were happy and grateful that we were there. There was water available to artists and strategically placed so that it took less than a minute to get water if you needed it. There were x amount of tickets for water, but, no one collected the tickets making it easy for every artists to keep hydrated. This was important because it was hot and sunny. Setup was almost all day on Friday and was extremely easy. There was enough room for everyone's vehicle even if everyone showed up at the same time. Thus, breakdown was also easy. And, there were volunteers to help unload if you wanted them. There was an artist party on Friday night, and there was a really good breakfast on Saturday morning and a lesser one on Sunday. If you sent in the form, there was also a box lunch brought to you during the show.

The show was the standard 10-6 on Saturday and 10-5 on Sunday and the weather was perfect-- 80-85 degrees and no wind or rain. Here's the best part: Sales on Saturday were excellent for everyone I talked to. For me, it was just like the days when things were great. I, actually, had people standing in line holding their pieces waiting for me to finish wrapping. For a two hour period, I couldn't keep up with it. That hasn't happened in a long, long time. I did more the first day than I was expecting to do in two days. It wasn't just me. Knowing I was going to write this review, I asked as many people as I could, so I could get a proper perspective. Everyone I talked to had the same experience that I did. Unfortunately, the second day was as bad as the first day was good. The crowds were way down and so were the sales. That was the only bad thing about the show. I talked to Sara about this and she said that was pretty much the same for everyone. Believe me, though, she's already working on finding a way to make Sunday as good as Saturday was, next year. To me, Saturday was so good that it didn't matter, too much, that Sunday was light.

One last thing, the KRASL Art Fair sponsored a concert in the park near the beach. This year, the artist was nationally known contemporary jazz sax player, Mindi Abair. She is a personal favorite of mine and after the show on Saturday I made my way down to the beach to listen to her fine sound even though I could hardly keep my eyes open. Thanks Sara for bringing her to St Joseph, MI.

Hopefully, I'll be invited back next year because after you read this review and talk to people who did the show, it will be harder to get into. I noticed that the quality of the art was better than last year. Also, this is the kind of show that you need to do a few times. All my customers from last year came back including those who wished they had purchased something and I made a lot of new contacts for next year. This show has a loyal following that come back year after year. So, if you are reading this, Sara, I need to do it next year, too. LOL!!!




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Call for Artists: Ohio Mart

September 30 - October 3
Akron, Ohio
140 Exhibitors
Presented by the Hywet Hall & Gardens,
a Historic House Museum and Country Estate
Sponsored by the Woman's Auxiliary Board of Stan Hywet Hall & Gardens
An outdoor event held under large tents
Deadline: August 1

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Searching for a new venue that is accessible to a great number of shoppers hungry for creative, one of a kind, hand crafted items? Ohio Mart is held on the grounds of the country estate of Stan Hywet Hall & Gardens in Akron and is in its 44th year of being the premier Arts and Crafts festival in the state of Ohio. Ohio Mart is centrally located for the 15,000 shoppers that come from Cleveland, Columbus and Pittsburgh.

Stan Hywet Hall & Gardens
714 North Portage Path
Akron, Ohio 44303
Phone toll free 1 888 836-5533

Ohio Mart is a juried show and will accept only handmade original art. Plan to display your art at Ohio Mart in the fall. Cost for a 10 x 10 space is $450-$525. Jury fee $25.00. Tented and outside spaces available.

Benefits include:
  • Assistance the day of set-up and the evening of take-down
  • Booth sitters for breaks, morning coffee
  • Free accessible parking for vehicle
  • Booth space tented

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Visit www.stanhywet.org - Ohio Mart to download an application or see additional information.

Further information:
Applications: postmark by August 1
After deadline applications accepted where space is available/waiting list
Acceptance notification - receipt of application
Exhibitor Contracts paid in full by August 1, 2010



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The CPFA, lovingly known as "State College", has been flourishing since l967, on the campus and downtown streets of this sweet college town in the heart of Happy Valley. I can't imagine how many artists have participated over the years. In the interest of letting the newbies be informed about the cultural history of our "industry" I'm linking to an article in the Daily Collegian that appeared on July 11 detailing fundraising, riots, festival workers strikes and, of course, artists hung work on fences, not booths.

It is good reading and puts lots of what is going on today at art festivals into perspective.

This festival is a bit of a 'grandfather' to the multi-faceted festivals that you find today that have contributed so much to growth of the arts in our country. Rick Bryant, the director, told me he hosted the folks from the Oklahoma Festival of the Arts this weekend. Hope they had a good time as this is a very cool event.

Any artist who wants to get a good look at a successful event and pick up tips on how to sell and display, as well as an art fair organizers needs to visit State College. You'll get a crash course in the art fair business.

Here's the story: http://www.collegian.psu.edu/archive/2010/07/11/arts_fest_history_revisited.aspx
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Krasl Art Fair on the Bluff, St. Joseph, MI

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The Krasil Art Fair on the Bluff was a very good show for me... especially Saturday. What a fabulous venue... you look out on to the sandy beaches of lake Michigan and water that stretches as far as the eye can see.

Sara Shambarger and the 400 volunteers deserve all the credit and I am very appreciative. This is a committee and staff that is dedicated to making this show the artists' favorite (their words) and they are right up there with the best! The artists amenities at this show were substantial: Grassy location with trees and gorgeous view of Lake Michigan; curb-side loading and unloading; roomy booths (12X12) with plenty of storage space; Friday evening opening reception and an artist hospitality room with free breakfast and lunches, booth sitters and roving volunteers, artist-only off-street parking close to fair during show; and most important, lots of visiting patrons from several distant locations including Chicago. Sales were very strong for my work, $4000-5999K (see artists survey) and purchases covered my full range of price points. The show conducts an extensive artists survey and distributes the result back to the artist.

As an aside: I had made it to number 2 on the wait list but no further... so close. In an email exchange with Sara, I learned that last year there were no late cancellations, but I decided to take my chances anyway and make the 4 1/2 hour drive on Thursday evening to St Joseph's. Hell, what's the worst that could happen, my wife and I would enjoy a gorgeous weekend at a resort on looking the spectacular view of Lake Michigan?  On Friday I was up  early to get my name first on the list in hopes of a last minute cancellation. To my good fortune there was only one last minute cancellation and I got the nod.

Well, you can imagine my surprise at Sunday morning's awards breakfast, when they handed me the biggest colorful ribbon I have ever seen... I had won best in Photography with an automatic invite into next year's show... Oh yeah, I'm going back. I wouldn't miss celebrating the 50th anniversary of this top ranked show!!!

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The Good, the Bad and the Ugly

There were 4 art festivals in the Chicago area this weekend and I made it to three of them.

Weather for all the festivals was very hot. Humidity wasn't too bad but without much breeze, it made for uncomfortable conditions. Textile artists probably get hurt the most. Who wants to try anything on when you are already hot and sweaty?

Oak Brook- this is a fine craft festival. It is held in a wonderful mall southwest of Chicago. There is plenty of parking so getting there early is not necessary to find a space. I hadn't been there in a long time and it used to be wonderful. There were supposed to be around 150 artists and if there were, I don't think we found all of them. The layout for this was very confusing. This is an independent festival so there were a lot of artists I had never seen before. The quality was very uneven and it was an unsatisfactory show. It wasn't worth the drive.

Glencoe- This is an Amdur show so you know there will be good quality, a fairly organized layout and lots of dogs. (last year, Glencoe had as many dogs as artists or so it seemed. this year, there were a lot also) This show had several artists I had never seen before and they did not disappoint. I thought I saw a b/s but it wasn't crummy stuff and there was one booth where the work was so awful, we thought it was a joke. Almost as if there was a no-show and this person had set up a booth with the ugliest ceramic things that were below the level of nursery school artists. It was a nice festival though,overall.

Northbrook- Last year there weren't even 60 artists at this festival so I was happy to see the artist list was above 100 this year. This show had the most disorganized layout of any I have been to. It was completely on grass so thank goodness it didn't rain or it would have been a mess. We almost missed a row of artists because the backs of booths were on one side and the front of booths on the other. Quality was uneven, mostly on the low side.

It was a discouraging weekend. Even if I don't find anything to add to my collections, I enjoy seeing beautiful work and with a few exceptions, I didn't even see that.

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  • This was my first year attending this art fair held over the July 4th weekend at lovely Muskegon Hackley Park. The art fair is actually held the last three days of Muskegon's "Summer Celebration" - a huge draw from all areas of Michigan. The prior weekend began with musical performances by ZZ Top and others. Sure wish I could have seen them. The entire week consisted of various top named groups and the carnival type area. This appears to be for this area of Michigan similar to Milwaukee's Summer Fest. My overall thoughts are - Way to go Muskegon! Get high attendance all week and save the art venue for the last weekend. I tried to book a hotel more than 3 months in advance and could find nothing in a close proximity to Muskegon. Booked all the way past Holland. I then tried the campgrounds and, oh God, ended up at a KOA (ugh - I never do them). Granted, it was 4th of July weekend and there are other things to do in the area, but the crowds were definately there all three days. Sunday night's fireworks over the lake were spectacular!

The Organization - $235 show fee. Well juried event - Wonderful artwork in all mediums and nicely balanced.Each artist received a very nice t-shirt. Check in went well and all volunteers were helpful and friendly. Entry forms and images are submitted on paper via USPS. Show runs from 10 to 6 on Friday and Saturday and 10 to 4 on Sunday. Setup allowed on Thursday but we began unloading & setup on Friday at 6am and found no problem finding a streetside parking area to unload. Parking for unloading was on the street and all had to be dollied in. Vehicles had to be removed by 9am and the streets surrounding the block had no parking. Each morning coffee and goodies were available near the center statue.

The Layout - The various venues are spread throughout Muskegon with a festival area including music stages and rides etc down by the lake. A block away is street for fine crafters and in the fourth block, is historical Hackley Park. At the center of the park - one square block - is a large historical statue. Artists are situated on both sides of the sidewalk parimeter of the block and along the four diagonal sidewalks leading to the center statue. Approximately 190 fine artists participated. I very much enjoyed the distinct separation of the venues. The street between the fine crafters and the block dedicated to fine artists was a street filled with a large variety of food vendors. I was fortunate to get a great corner location. Artists given a generous 12x12 space with tons of space behind each tent.

The Weather - A tad on the hot hot hot side but most tents are under huge trees. My corner was in full sun, but since we were given so much space, a few tent adaptations gave us shelter from the sun. A nice breeze most of the day helped.

The Crowd - Kinda covered above but a few more notes necessary. This was a great crowd. There were few lulls each day and for the most part we were busy enough that neither Neil or I strayed away from our booth. Since the festival areas were so well divided, the ones at the Art in the Park area were looking for fine art, just as the ones a block down were looking for fine crafts.

The $$$$ - I typically do well when the event is on a Great Lake. Friday went very well, Saturday seemed to have more out of towners who came in for the weekend and sales, while steady, were under Friday's tally. Sunday was slower than both previous days in the beginning, but about an hour prior to closing we were bombarded with those who saw something earlier and came back to purchase. The art show ended at 4, but we did not begin teardown until 5. I did not have much time to talk with other artists except a couple of my long time friends so I'm not sure how others did. The fine craft area was too far away and I did not get over to the other side of the park to see the other fine art at all but I did notice people carrying bags through out the weekend.


The Food - Most of the food was typical of any festival but there was a huge variety (two blocks on both sides) This food area was for those attending either the fine craft or the fine art booths. Since the main festival was quite a distance away, they had their own food setup.


My only Beef - Parking. Those that have done this show before knew all the secrets. Since this weeklong event encompassed the entire city, parking for the weeklong Summer Celebration festivities were no where near the parking for the fine artists (thank God). Obviously planned well by groups in the city, any civic or church lot had persons offering day parking for $5.00. Nice consistency at least. We parked our utility trailer three blocks away for the entire time and arrived early each day to obtain parking in one of the closer lots, a block away. A bit confusing at first, but now I too know some of the "secrets".

I'll post my video in a couple of days.

Linda Anderson

Great Lakes Nautical & Nature Photography

http://www.andersonphotoworks.com

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Ford Van for Sale in Michigan

I want to sell my Ford 94 Super Van. 351 engine. 3/4 ton. gray. Less than 100,000. always been garaged. Super condition considering age. two front seats only. carpeted. Price $3500 firm. Gil Dorer 107 Willow Ct. Chelsea, Mi. 48118. dorergj@aol.com 734 475 4300.

(We drove Ford vans to art fairs from 1980 until retiring in 2006. Ours still gets around very well with almost 170,000 miles on it. - Connie)
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First, I have to describe my work as 2-D, namely pastel on paper, somewhat contemporary and not for everyone. Price range $450 to $4500.

After some fabulous shows in Texas in the spring, I thought "this could be the turning point, this could be the best year for me". Having done these shows for only 3 years, I never experienced the "good old days", and I have only the recession experience under my belt.

But it seems since May all of my shows have been down from last year.
Rittenhouse Square in Philly has been a consistently good show for me. There was an earlier post about the show, so I won't repeat, but Friday and Saturday were super slow, and Sunday we broke down early for a tornado and hail watch, right in the middle of the best crowds of the weekend. Not a lot you can do about Mother Nature, but the first 2 days were not up to par.

Lakefront in Milwaukee Is a pleasure to do. It is a wonderful show in a wonderful setting. (see Nels' blog about the show last year. He covered all the details). That being said, it seemed to me that the crowd, big indeed, was holding back. I did half what I did the year before, and I saw almost no 2-D work leave the show, save for matted prints that I suspect were of a lower price point. I talked to many of my painter friends, and no one did well. The people kept telling me they wished they could afford my work. ( Is this a form of blowing smoke? Perhaps...but how do I explain Texas?).

Finally Cherry Creek - This is a truly wonderful show to do in terms of load in, load out, artist parking is the easiest and closest of any show I have done. The volunteers are everywhere with water, snacks and offers of help. The weather can be dicey, but wait 10 minutes. And the crowds were there. Only they were not buying 2-D painting or drawing least I can tell (please, someone tell me otherwise). Again, I did half what I did the year before, and none of my painting friends did well, maybe meeting expenses. Again, I saw almost no 2-D work being carried, except for matted prints, which painters, and artists such as myself, did not have available. I sold only small drawings, and people were even sensitive to that lower price.

I have been talking to my friends in the financial business, and they are not surprised by my experience. They are telling me the economy is shakier than even last year. I know some jewelers and smaller priced artists are not suffering the same fate, and this is the observation of one artist, but it seems to me that patrons are thinking twice about spending more that a thousand dollars for a piece of artwork.

Maybe when the oil well is capped?

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Here's the flavor of the events taking place this weekend - The Great American Art Fair Weekend

1. Krasl Art Fair on the Bluff in St. Joe, MI -- cain-park-arts-festival_aerial-path.jpg?w=216&h=288http://www.wsjm.com/216-Artists-Selling-Work-at-2010-Krasl-Art-Fair/7648931

And, an excellent story with an interview with artist David Chapple: http://www.heraldpalladium.com/articles/2010/07/08/features/1528421.txt

2. Corn Hill Art Festival in Rochester, NY -- http://www.democratandchronicle.com/article/20100708/ENT0102/7080305/1052/ENT

3. Cain Park Arts Festival in Cleveland Heights, OH -- http://positivelycleveland.wordpress.com/2010/07/08/cain-park-arts-festival/, photo from Cain Park, where we usually went on this weekend to sell our goods

4. Royal Oak Art Fair in Royal Oak, MI -- http://www.detnews.com/article/20100708/ENT01/7080301/Royal-Oak-art-fair-aims-to-inspire

5. Art Fair on the Square in Madison, WI -- http://www.thedailypage.com/theguide/details.php?event=242024

6. And thinking into 2011 you might (or might not) be pleased to hear that Coconut Grove is adding 30 spaces. Read all about it: http://coconutgrovegrapevine.blogspot.com/2010/07/be-part-of-best-arts-festival-seeking.html


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Upstate Visual Arts (UVA) is accepting applications for the 2nd annual West Greenville (S.C.) Arts Festival on September 18-19, 2010. For more information see the following link: http://www.upstatevisualarts.org/events/wgreenvillefestival.php The deadline is July 15.



This is my hometown so I have a sincere desire to exhibit here, even purchasing a double booth. I have absolutely no travel expenses and I have so much “local” work that it is the best of all worlds for me. Yet with so much desire to take advantage of this great opportunity, and with the cost of only $100 for a booth ($175 for double), I really question whether I want to even apply. I share the following points to explain.



  1. The most recent show that UVA did was on Memorial Day weekend at Freedom Weekend Aloft. Sold to the artists as a great venue with only 25 "juried" artists, 300,000 visitors over 3 days,
    tents were provided by the property owner and the booth fee was only $50. However the tents
    provided DID NOT have sides; it was a mere canopy top. You were not allowed to bring your
    own tent and it rained all three days. Artists were not told of the lack of tent sides until
    the artists arrived for setup.
    And UVA was only able to sell perhaps 6 spaces out of the 25 promoted. I was one of those
    6 and it rained all three days and even had a hail storm the first day. The last day was totally
    cancelled because of the weather. When asked how were we to protect our art in case of inclement weather, the UVA director said the owner had two storage PODS about 200
    yards away. So when were we to grab our art and run for the PODS? When the rain started or when we see the first cloud? And then you have all artists sharing the tiny PODS together walking over and around everyone else’s art. The planning for this event was non-existent. Most artists had serious damage to their art due to lack of sides and no way to protect as the rapidly approaching thunderstorms came up much to quick. I’m sure the UVA is in a learning curve; but at “our expense.”
  2. The 1st annual West Greenville Arts Festival was held last year. It rained lightly both days. Crowds were perhaps 300 to 500 visitors per day; many of which were simply other artists just checking everything out. Sales were virtually non-existent for everyone I saw and talked to, although I did manage to cover my $100 expenses. There were only about 20 or 25 artists at the show last year.
  3. I have left numerous messages and emails for the UVA festival contact over the past three weeks. Finally, yesterday I got a return phone call. I asked a lot of questions and was told about how they were trying to attact some sponsors to help with the advertising, etc. Sounds promising; but based on past performance, I will have to see it before I believe it. The setup will be in the same parking lot as last year with 4 rows of tents. Artists tents will be 10’x10’, placed side by side with no room in between and NO space for any storage or chairs whatsoever. It was clearly explained to me that EVERYTHING must fit inside your 10’x10’ tent because the tents would be side by side and the two rows in the middle would be back to back with no space in between. I measured the parking lot this morning. The boundaries are not quite in straight lines but the width ranges from 58’ to about 70’ and the parking lot is perhaps 150+’ long. So if they are putting one row of tents on the outside boundary and two rows back to back in the middle (that’s 40’ of width taken up by just the tents). And if you have two rows of traffic, that’s only 9’ between the facing tents (assuming everyone is level – which is difficult on the significantly sloping parking lot).
  4. With this cramped setup, I predict load in and load out will be total chaos as you cannot arrive and get your space assignment until 6AM Saturday morning.


What a dilemma for me. The one show that is the best financial opportunity for me is sponsored by the most poorly organized show promoter I’ve ever seen in my life. I’m not trying to grind an ax
here. Trust me, I could continue to write volumes if I chose to. I simply want to share what I know about the event. I will undoubtedly have more conversations over the coming weeks and months and will gladly share any new information as it becomes available.


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It was the 4th of July .....and I was feeling very Yankee Doodleeee.......the dogs were all there.....the parade.....and flags....etc.....really it is the same at any 4th celebration. But you see old friends and socialize so that makes somehow different......

The "Bailey's" show was some fine art plus a ton of crafts and a ton of buy and sell.....really they take anyone who fits their definitions of "good stuff". They are booth fee hounds, I think....who just want to do what is best for Bailey"s Harbor according to themselves.

Low fee.....easy unload is a short carry.....

It is Door County or the thumb of Wisconsin.....so we have a huge Chicago crowd mixing with some Wisconsin and a few Minnesota people at this show.

The people come for the parade in the morning more than anything......sales happen more in the early afternoon. Lots of people....most walk by....but enough stopped by me to make it a successful day.

My secret is really to cater to Illinois people with my artwork....you must have something that appeals to an Illinois tourist to do well at this show.

Three Daveys......I cannot talk more.....gotta go paint the Cubs and Bears for next years show.....doing Butkus right now....do you know what a Butkus is?

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Art show could land curators in Russian prison

MOSCOW (Reuters) –
The curators of an art exhibit that mixed religious icons with sexual and pop-culture images face up to three years in prison in a case that is testing the tolerance of Russia’s government and its dominant church.


A Moscow court is to issue a verdict on Monday in the trial of Yuri Samodurov and Andrei Yerofeyev, charged with debasing religious beliefs and inciting religious hatred for the 2007 show Forbidden Art.


The trial, which recessed late last month, was marred by rowdy shouts from ultranationalists and what Yerofeyev said were thinly veiled threats to kill him and Samodurov if they are found innocent. “The state is trying to selectively censor art,” Yerofeyev said, accusing the authorities of encouraging or supporting ultranationalists who took issue with the exhibit.


Amnesty International said a conviction would make the defendants Russia‘s only prisoners of
conscience
, and cultural figures have appealed....read the rest of this story here

This is all over the news and an interesting escapade. I'll bet there are some conservative folks here who would agree ;)
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Connie Mettler Review! Yes review!

Hey folks! I must say this is one of the best sites to find art fair reviews, get great info about the biz, and share and ask questions and stories about our mediums when it comes to doing art fairs. But I must say I have never seen a review of Connie Mettler. Granted this isn't Connieinsiders.com, but I really think a Connie Mettler Review is needed.

Now I am currently on vacation, in the Mid West - in Minnesota, and had the pleasure to finally meet Connie while traveling here. Now I have met fellow crafts people at shows and become friends with them over the years via other craft/artist websites, but I can't say I have with anyone here from artfairinsiders. I think this is mostly due to being from Maryland and most here are from places, well other than Maryland.

So, my review... Well, she is very much like her profile photo and does have a gracious and energetic personality that is much like her comments on this site. I got to see some of the artwork her and her husband made pre promoter years, and where it all happens - her office where she keeps Artfairinsiders going. Funny enough, it is much like my computer desk - busy, but I think she as less papers on it than I. :-) We didn't have much time to visit, but did get to grab a bite to eat at a local bar and grill in town that was on the river... This leads me to the "Tequila Report" of the visit.

Nels, if you are reading this two things - I didn't get to have Tequila - sorry. And #2 Connie has the photo of my visit with her. Connie if you are reading this, could you upload your photo of the visit???

The dinner report and dirt. I have to say dinner was really good - the best gourmet chicken fingers and BBQ sauce. My husband and an amazing buffalo burger and Connie - what appeared to be delicious country style fried chicken. The dirt was all about the website, talking about art fairs, sharing our stories of how we get into the business, and what our plans are in the future. I loved talking about our connections over promoting fairs, how they are different and ways we can embrace new ways to promote events to get more customers - mostly what works, plus the issue of people who refuse to have a website as well as their angst against about promoting their own work (possibly just not knowing how to do so). If anyone could take anything away from this is the creation of this website - artfairinsiders.com . What I learned is Connie never really wanted to do anything like this networking site - the fear of managing let alone how to do it was the biggest obstacle. But her son, Scott Fox, dragged her kicking and screaming. This is hard to imagine now that I have met Connie. :-) His books, advice and everything else allowed her to do everything necessary to get this site up and running with more than 3000 craft artists and others in the business. Can you imagine your life not having the knowledge you gained through this site? How different would your life be now if you haven't connected with friends and colleagues through this site? What Connie has accomplished - with this site alone - really deserves a round of applause. I hope you all get a chance to meet Connie, listen to what she has to say, and let her know from time to time how this site has enriched your life (art or not) and feel free to let her know what you think of the site including things you would like to see if you don't see it now.

Connie's site has given me an outlet to connect with so many awesome people, give us a place to b.s. (not buy/sell) and through her kindness allowed me to post the 40 Question Craft Artist blog series. Something I haven't been able to do with any other website or through meeting people in person when doing shows. For this, I just had to, in person, thank her for doing what she has done, and am so happy I did. She is even better to chat with in person!

Connie - do you have anything to add??? Has anyone else met Connie - and want to do a "Connie Report" I want to hear it!
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40 Questions Craft Artist Blog Series – Question #25 – Why do I needbusiness insurance if I already have homeowners insurance?

Iwas one of these people who felt secure having a home based business andbelieving that it was covered under my homeowners insurance. It wasuntil I heard horror stories about studios getting flooded (during and after Hurricane Katrina), seeing firsthand neighboring craft canopies going airborne and crashing down ondisplays, and the dreadful theft issue that made me really look at whatdoes my homeowners insurance cover when it comes to my home basedbusiness. Here's what I learned that EVERYONE needs to know when itcomes to insuring your business.

Question #25 – Why do I needinsurance if I already have homeowners insurance?

First,homeowners insurance does cover some home based businesses, but I stressit is just SOME. It doesn't cover what you do away from the business –while on your way to shows, at shows, and equipment/display furnituretoo. It is one thing to have a garage sale in front of your home andsomeone accidentally injures themselves testing out a saw – here you arecovered. However, if you have a fire in your house insurance will onlycover basic stuff – furniture, computer, etc NOT your work, your rawmaterials, your display furniture and so on. Let's say you are at ashow and while you weren't looking you noticed several sets of jewelrysprouted feet and walked away. Not I am not a jewelry artist but I doknow finished jewelry precious metal pieces don't typically cost $20 orso. Your homeowners insurance won't cover it. Why you ask? It isbecause the theft didn't occur in your home.

Better to be safethan sorry. More and more shows are requesting proof of businessinsurance mostly because promoters know we are living in a lawsuit happyworld. If a customer trips in your booth and sprains their ankle, restassured they will go after the promoter and the artist to get what theycan for pain and suffering – not that we would like to think peoplewould do that. It happens and this why you can't risk loosing a ton ofmoney – when many of us artists are really on a shoe string budget,living from show paycheck to show paycheck. Customers see you as abusiness and businesses are expected to have insurance – those thatdon't, oh well, tough luck!

When it comes to finding insurance dolook into what your homeowners insurance does cover first. I learnedthat if you let your insurance company know you do run a home basedbusiness from your home you might be covered for more than just the lossof some equipment. The next thing is to look into what art/craftbusiness insurance companies are out there and compare prices and whattheir insurance covers. One popular one is RLI Insurance who advertisesin many art/craft publications. Look in show listing directories orthrough CERF's website for leads to others. Insurance, for one year,can be as low as $250 a year. There are companies that offer coveragefor one day (while at a show) which is far better than nothing at all,yet can add up to far more than $250 a year.

The point thatchanged my mind from relying on homeowners insurance and get businessinsurance is when I started selling my work in stores and adding candlesto my product lines. When there is more risk for injury (on my part orthose who receive my work after it leaves my hands) I couldn't avoidit. Granted 2D art might not hurt anyone, but it can get damaged, andthe risk goes higher for those who work with glass or pottery. All ittakes is a gusty day to knock down a display full of your precious work.Have you ever asked those who have had this happen to them, if theyhad insurance? More times than not, when I ask, they say no, butquickly realize today is the day “this” won't happen to them again. Forme, and I am sure I am sure I am not the only one, “you” will think itwill never happen to you, but all it takes is that one time to realizehow foolish it was to think that. Don't wait, but look into gettinginsurance now – you can't afford not to (especially if you find you areon a tight budget). All it takes is a wind storm to twist your canopy,theft, or someone injuring themselves to find $100 - $500 a drop in thebucket compared to the other costs that can be incurred.

Now Iam sure you have some stories about how you saw damage at a show orpersonal experiences that convinced you to get insurance. Please sharethem! The more people learn from others mistakes, the reduction insimilar mistakes will occur. Thanks for reading this long winded post,but I strongly feel it is something that needs to be talked about on amore regular basis. Have a great week everyone! Michelle Sholund,www.quickcraftartisttips.blogspot.com
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October 1, 2 and 3
St. Louis, Missouri
Soldiers Memorial
50 artists
Deadline: July 12th 2010


New This Year!
The Art & Wine Walk at the Taste of St. Louis will be held in downtown St. Louis, MO, on October 1st, 2nd and 3rd. Our reformatted artist area will feature only juried artists and an upscale atmosphere. Wine sampling stations will be dispersed among the artists' tents to further encourage foot traffic through the artist area.

We're honored to have Boo McLoughlin (Craft Alliance), Robin Hirsch (Art Saint Louis), Jill McGuire (Regional Arts Commission) and Michelle Ochonicky (The Best of Missouri Hands) as our jurors for the Art & Wine Walk!

Art & Wine Walk juried artists receive the following:

· 10'x10' booth space (tent self provided) in the Art & Wine Walk for promotions, sales and lead generation
· One 110 electrical outlet
· Signage/branding rights at booth location (self-provided)
· Logo and website hotlink on TasteSTL.com
· Complimentary "booth sitters"
· Eligibility for cash prizes and awards

What else does the Taste of St. Louis offer?

The award-winning Taste of St. Louis is indeed a celebration of the best food, art, music and culture our great city has to offer. There is something for everyone at the event, as our array of activities and participants continues to grow each year. Our turnout of more than 300,000 patrons last year proves it!!

The event takes place at Soldiers' Memorial (12th & Market), with a beautiful park atmosphere and a great view of the Arch.

Our array of activities continues to grow and improve with Sauce Magazine's Restaurant Row, the Master Chef Competition on the Saint Louis Bread Co. Culinary Stage, national and local music on the U.S. Bank Main Stage, The Art & Wine Walk, The Marketplace, and a whole array of activities in the Kids Kitchen.

http://www.tastestl.com/The-Art-Wine-Walk
or e-mail rebecca@tastestl.com
or call 314.534.2100 EXT. 24
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With all the weather predictions indicating a disastrous outcome to the Rockport Art Festival, the hurricane played out just in time for a breezy but delightful event. Being my 1st time to show here, I was told that the crowds were down but most vendors had adequate though not spectacular sales. I saw a lot of driftwood bird sculptures leaving with customers and my neighbor sold a large painting along with several small ones. Mainly, all were just happy that they made expences and weren't washed out by storms.
The event is very well organized, water delivery is constant, and good food is served to vendors for a Friday night dinner buffet and Sunday morning taco breakfast. They even had air conditioned portable toilets! No complaints with their organization for the entire show. I paid extra for an electric outlet as I was told a fan was almost a have-to and I added some lights to my booth, but the outlet didn't work at first, and they immediately got in an electrician in and fixed it.
The only strange part of this show is the tent set up. Four long, narrow tents are arranged in a square. Vendors have one 8x10 half, the other half is used for a covered customer walkway, so your display must be freestanding. On the open side across from your booth, you are allowed to set up your tent facing the walkway. So if you take advantage of the extra space, you have to bring extra display equipment. You'd also want to bring plenty of tie-downs as you are right on the water's edge and the wind can get pretty stiff even without a hurricane.
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BERKSHIRES-LAST DAY--& BREW REPORT

The mountains are great and HOT HOT HOT 90s// there were crowds and buying was happening although selective // I saw alot of satisfied artists, and then some that were down in sales from the past; The heat as always ends the shows, no matter where, earlier; as was the case here; Once again The Rothbards have had another successful Art Festival, and my experience was enjoyable,successful, easy load in-out, a great location and all in all a return is in the cards for next year..

BARRINGTON BREW REPORT//// Great homebrew at the Barrington Brewery; Brewed in the barn in the back I asked not but enjoyed alot/// BUT THE BEST was a local 1/2 gallon growler of OPA OPA BEER BREWED about 15 mies to the north// $6.98 a growler and then $2 back for the bottle deposit $4.98 I,ll go back //the beer was fabulous// Fair Winds, and Safe Travels with great fortunes

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