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The Plaza Kansas City - a review

This was my first time at this show. I do pastels that range from $450 to $3200. I had heard lots of good things about this show, and did not get in last year when I applied. I have to say that I found the good things to be true.



We had until 5 PM, when the show opened to the public. The public were there more like 4 PM and we were told to expect early birds. The weather was perfect on Friday, and the crowds were there all night.


I have to say I was pleasantly surprised with the buying energy I experienced through the whole weekend. Many people had seen my work at Brookside in the Spring, and sought me out here. It seems to me that Kansas City folk use these two shows to shop for fine art. I wonder if the gallery scene is lacking, and these shows fill that void? I could be wrong about that, not really knowing the city.


Saturday started sunny, but with a warning of rain. This came around 2PM and stuck around until early evening. While Friday night was crazy busy with wall to wall people, Saturday was not dead. The rain kept some away, but there were serious buyers out in the rain. Works on paper are not good in the wet, but I sold 4 drawings (wrapped carefully) which I have not done in the rain before.




Sunday was beautiful again, and while most the big decisions were already made on my work, I noticed a lot of activity in the booths with smaller 3-D items. I saw quite a lot of artwork being carried around.


Breakdown was really easy, what with the wide streets. There was no system for being completely broken down before retrieving your vehicle, 'though artists did it this way. It seemed to flow well in my area.


I talked to my neighbors, who said they had an okay show, so my experience may not be typical. But while not my best show, it was my best "Original only" show. Price sensitivity seemed low as well, unlike every show I have done on the East Coast.

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Peters Valley Craft Fair 2010

This was our worst art fair that we have EVER done. The setting was beautiful and the organizers were friendly and vendors were very nice....BUT very low traffic flow and people were just there to look and not buy. We were also very disappointed with the "Best in Show" winners since booths and wares were not up to a particular standard that we keep our own work and booth display at. Since we drove the 6 hours to get there, it is a definite no for next year.
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Chicago Area Art Festival Boot Camp - October 22

At this time of the year I know you are thinking and planning for your 2011 art fairs. In the interest of that and to learn how to make art festivals work better in the current economy read carefully below and consider this excellent Chicago area Art Fest Boot Camp seminar to enhance your chances of success in the new year.



Look what past participants are saying!

"The seminar gets an A+. The mock jury (alone) was worth the fee."--Mike Brown

"This was the most valuable time I have spent in the development of my business. As a new artist, I appreciate the resources you provide."--Judith Foster, Jeweler

"Thanks to all I learned at Boot Camp, I now have a 'killer' set of jury slides!"--Donald R. Boudreau, 3D-wood
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Don't do Birmingham Art Festival unless...

you want an exceptionally well run show, plenty of advertising, artist friendly and artist advocate organization producing the show (The Guild), artist amenities with even cupcakes from Cupcake Station, plenty of storage space, and weather updates delivered to the booth!

Now for the real stuff-my dear artist friends, what do you want? Sales! What do you want your customers to do? Buy! Do they have to buy? NO. Do they want to buy? Maybe. It's clearly a buyer's market now. Not a seller's market. Does this community have the means to buy? Maybe if they are not overextended. Will some of them buy? If you have want they want/need for themselves or their family/friends.

I saw paintings, sculpture, small bags, just about any size of purchase go down the street. Qualified customers, just not as many as needed for most of us. Was weather a determinant? You betcha. Undoubtably when there are bitter winds blowing down the street and it's chilly out people contract. Can't control the weather. Along with musicians who often continue performing in the rain, this is our platform: the outdoors. That puts us in a problematic state that you either have to accept, dodging raindrops as you go through the show season, or realistically make the decision to get out. Of course grumbling is what most of us do!

Have you noticed how sales associates are relating to their customers lately? I have noticed that they are super friendly lately, seemingly really interested in 'me.' This is the paradigm for selling now in the recession environment. It's all about them and their family/friends and their wants/needs, not about us. If you haven't grasped this and continue think your art is going to sell itself, you will be disappointed. Adopting a persona of genuine interest in your customers, engaging them in a non-threatening way, keeping patient, knowing your market and whether the public will have an interest in your work along with having fresh new work is a start in this new business climate.

Everything has changed. Have you changed to adapt to it? Learning what to do is the challenge. The POTENTIAL is still there. Fortunately people love ART! It lifts their spirits, gets their imagination going, and gives them, actually does give them a reason to spend money over and above spending money in other venues. Realizing that one basic fact, if you love what you do, gives you a lot of mileage on going forward. Yes, people are cutting back. So give them a reason to spend. Be passionate about what you do. Keep positive even if sometimes it's impossible. Search for solutions as they are always there. Continue to have fun and enjoy your art, your work, your expression. This could be the Golden Age of Art as we are transitioning to a new era of global awareness and communication!

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small art fair near St Charles, Mo

I love small art fairs... if they have some potential customers walking through. The day gets mighty long when no one stops by your booth. You run out of one liners to amuse your neighbor and you need the restroom. NOT work, but not fun either.Every once in awhile we get lucky...
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Whenever we asked any other artists about Warrens Cranberry Festival we got mixed reports. If you're not familiar with this event, it's touted as the world's largest cranberry festival and boasts "2010 will mark the festival's 38th year. Since the first festival in 1973, attendance has grown from 3,500 to over 110,000 each year. Cranfest features over 850 arts & crafts booths, 350 flea market booths and 100 farm market vendors." Yep - 850 booths! Over 100,00 attending!

Artist friends gave us very vocal, very mixed, reports. Yes, there were huge crowds. Yes, it was a buying crowd, if you had the "right" merchandise. The 7 a.m. to 5 p.m. daily sales hours were brutal. Some artists said they hated it, but went back because their sales were so good. Some said they nearly ran out of merchandise. Others refused to ever go again. Some complained about the sap "dripping from trees." Some said it was just too much trouble and hassle to ever take part in again.

So, with a booth fee and "sanitation fee" adding up to $325 for the three days, we thought we would try it out for ourselves. The first inkling we had about how widespread the impact of the event was, was when we tried to make a motel reservation near Warrens in March (nearly 6 months before the event!) The closest we could find a motel in was in Eau Claire - 75 miles away! Everything else was booked up! We were told to try again closer to the event - maybe some reservations would be canceled and openings would be available. Luckily, closer to the event we were able to find a motel only 30 miles away. It was a 35 minute drive on an interstate highway.

Thursday was a set-up day. It had rained very hard the night before and caused severe flooding in the entire area.The grass was soaked, the dirt roads were mud. The rain turned to a mist, while we set up our tent. We were happy we brought along an indoor/outdoor carpet or the inside of the booth would've been a "slip-n-slide" because we had to set up on a slight incline. It appeared that we, and a whole bunch of other tents, were next to a muddy alley-way next to a huge number of bright orange port-o-potties.

When we left our tent set-up to get to our motel, we saw the rest of the town. Every inch of space had tents, food tents, etc. along and in the roadways. It was huge! The parking lots were huge! We were glad to get out of town.

The next morning we forced ourselves to get up at 4 a.m. to get to out to the tent by 5:30 a.m. to get ready to open at 7 a.m. It was chilly and misty out. We thought that we wouldn't have customers in that weather, but they came out in droves. We were already making sales before 8 a.m. Most of Friday's sales were cash sales, which showed us that the people came prepared to do serious shopping. Many knew that we were "newcomers" to the event. The weather continued to be brutal all day - cold, windy, wet . The entire grounds cheered when the sun came out for a few moments. Saturday was cold, but dry. Sunday was cold and sunny. (Sunday morning it was 38 degrees at 7 am.) Sales were best Friday, less on Saturday and even less on Sunday when there was a big parade.

The area we were in had about 150-250 artist tents and I never got to see them all. (The grounds were terrible for my wheelchair - tree roots, gravel, hilly bumpy terrain - and I already broke a wheel two weeks ago in Schaumburg..) My husband and daughter said that they saw more crafts than art, and the artists were all complaining about the weather and sales... Of course everyone we talked to who had been there for six - eight - ten - fifteen years said that sales were declining every year. The old complaint about how it "used to be better". We never got a chance to see the other areas with artists. They were all over the place.

I wish that Cranfest had a listing of the artists who were there and what their art was. That way we'd have a better picture of the type of stuff that was there. Some of our aisle neighbors that I could see were a dulcimer musician selling CD's (he'd been there 9 years), two metal garden art collage artists (this was their first year there, and they left early because their farm's water supply was contaminated from the flooding), a potter selling his sister's dip mixes and his pottery dip bowls, a lady who was selling framed pressed flower collages, a stained glass artist, a glove and hat artist, country wooden yard art - snowmen, and a mixed media artist. But I really could not see that much...

Of course there were tons of food vendors selling everything you could think of, from traditional "fair food" (corn dogs, corn on the cob, brats, burgers etc.) and ethnic specialties (Jamaican, Cajun) to deep fried everything, including cranberries on a stick. There was a huge farmers market and a resellers area. Lots and lots of competition for the visitor's dollar.

Set up and take-down was pretty good for us, but we have no idea what the other areas were like. After we packed up Sunday, we were so tired we just couldn't make the trip home safely, so we opted for another night in the motel. We all slept 12 straight hours!

Would we go again? Most likely not. With 4 nights of hotel expenses, and a 4 hour drive home, and sales that were about the same as a pretty good two-day "art" show, the numbers just don't work. If sales had been much better we might have reconsidered.

We'd be interested in other artists experiences there. Was our "take" on this show on-target or off-base?

.


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Oklahoma City Festival of the Arts 2011

Just looking for some input on this show. They seem to do things a little bit differently.

Can anyone tell of their experience at this event? How did they do? How were they treated?

It's close and I'm thinking of applying. Thanks. fran leblanc, fleblanc.com

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Rained out at Atalaya

Atalaya is a well run, well organized art fair at Huntington Beach State Park just south of Myrtle Beach, SC. It offers a picturesque setting, cash awards, friendly and helpful staff, and though music and food are available they are not intrusive. What they were unable to provide, however, were buyers. Crowds were good on Friday, indeed, there was a long line waiting for entry when the show opened at noon. Everyone looked and commented on how nice the art was, but did not buy. All the artists said to one another, "They will be back tomorrow". They did come back on Saturday, the weather was clear and a little hot, but tolerable, buyers did not materialize. On Sunday, the weather forecast was for "scattered showers". The show opened at 10:00, and at 11:00 there was about an hour of moderate rain with some scattered lightning and thunder, just what you want in an outdoor show, right? The weather cleared, patchy sun came out, and a few brave souls came and looked around, but did not buy.

The show closed at 6:00 PM. At 6:05 PM the skies opened up and it rained buckets. The tear down process turned into a combination mud fest and wet T-shirt contest. In addition, we we got back to our room we found that it had rained so hard that we were also into money laundering because the cash inside my wallet was sopping wet! My cell phone died from getting soaked in my pants pocket! All in all, it was an experience I would have rather heard about than experienced!
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Your Chance to See an Art Fair Jury ONLINE!!

Even to seasoned art fair artists the ins and outs of the jurying process are a mystery, so I am pleasedstacks_image_1242_1061321.png to share the news that ArtFest Fort Myers is broadcasting their jury LIVE from the jury room on Thursday, September 30th. Here are the details:

JURY LIVE

We are excited to announce that artists can watch the ArtFest Fort Myers Jury Day live - on-line - in real-time.

Due to many requests from artists to watch a Jury Day but knowing that it is not practical for many to come in person - we are broadcasting live from the jury room.

We will begin about approximately 9:00 AM this Thursday, September 30th. If you would like to watch – go to ArtFestFortMyers.com - click on the big ArtFest Live button. On the ArtFest Live page you will see the category order and other information about the day.

If we are on a break or at lunch the video screen will show "Off Air" but look at our schedule and we'll be back.


Jury Preview – Come In Person

Artists are also invited to preview what the jurors will see on Jury Day.

We have invited artists to this preview for the past several years. Many artists had never seen their images the way jurors do and found it a great experience.

During our set-up day, Wednesday, September 29th, artists are able to watch images being displayed, look at the ZAPP projection equipment and on-line scoring system that will be used.

Artists are also welcome to talk with the ArtFest Fort Myers Staff and each other about the process & images and the many aspects of art festivals. What a wonderful opportunity for all of us to share information.

If you would like to join us Wednesday, September 29th between 1PM and 3PM please email us at info@artfestfortmyers.com and we will send you directions.

Thanks ArtFest Fort Myers for this service to the artist community.
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Midtown Art Festival

This was the inaugural year for Midtown Art Festival. It was only one week and a few blocks away from Atlanta Art Festival so I was concerned about the timing.

The show is on Peachtree Street. So set up was kinda crazy at first. This is one of the main roads through all of ATL. They did not close down the street until 8pm Friday night. People were given different times to come in to set up, starting from 8pm until 10pm. There were those of us who are rule followers and got and stayed in line and those who drove thru the barriers and just went for it ;) I was second in line, but I really should have just gone for it and gone down a side road to get to my booth, but I I am one of those rule followers. It was a late night set up, but much better then setting up the morning of a show IMO.

As far as parking, I think they did a great job. There were at least 3 different parking areas and you were assigned to the one closest to your booth. In my area I was able to park just on the otherside of the sidewalk from my booth. Since it poured rain on Sunday this was a HUGE help.

The crowd was excellent on Saturday. A sea of people, the way I like it. The crowd was also made up of young professionals, D.I.N.K.s, and art buying couples. I actually have a stroller rule. If a mom, dad and stroller comes into my booth I am very friendly and welcome them but I don't put a lot of energy into them. Either the kid wants to get to a moonjump or the dad is impatient. If it is two women with strollers then that is a different story. Anyway, I have only ever sold to a stroller set once before and that was because the husband stayed out too late with his buddies the night before and was in the dog house during the art show and had to get anything the wife wanted ;) Midtown was the exception to my rule. The kids in strollers were very well behaved and the moms and dads were there to buy art together. The crowd walked around with wine and beer, but it didn't turn into a huge frat party like some of the shows do. Everyone had just enough of a buzz to be happy.

To the important part, I paint large abstracts and my price point is between $500-$1000. I do offer inexpensive small prints as well. At this show I didn't sell any cheap prints but I did sell many large paintings. On Saturday night I actually went home and packed up 3 more large horizontals because I had sold out of them. Sunday it poured rain most of the day. Many people packed up early, but that is not my style. I figure what is the point. I spent all this time, money and energy setting up I will stay as long as they let me. I am thrilled I did because people still came out and wanted to buy. I sold another 2k on Sunday. The booth next to me had price points between $200 - $500 and they did well. The otherside of me the price points were $1000 - $2000 and he had his best show ever. I will say that some of the booths were shabby and some stuff was VERY crafty. Many of the patrons were disappointed that there wasn't more Fine Art. All of the people that had what I would consider Fine Art told me they were "happy" whatever that means. I do know that the "craft" booths I talked to were not "happy".

The show was cancelled 2 hours early. I wished they would have stayed open but by then at least 1/2 the booths had left. Except for the constant rain, tear down was easy. We didn't have to wait for passes because there were so many different ways to get to your booth with a car.

If the weather would have held out for one more day this probably would have been my best selling show ever. I hope I am invited back next year. Any show done in Piedmont Park in ATL is off my list at this point. Holly and her group does a much better job for the type of art I do.

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Itasca Benches on Parade a big disappointment !!! :(

It was Itasca's 2nd year and from one or the reviews on here I decided to give it a try. It had a very nice setting, it had good wine,It had great awards for a small show $2500 for Best of Show, and it had a great artist..... along with bead stringing jewelers, buy/sell, craft, and manufactured art. (The jury was snoozing or just didn't care and wanted to fill spaces)
What this show didn't have was customers, it was very poorly attended and the ones in attendance were just curious lookers. I received a booth award which meant I could attend next year for free. I took the ribbon around to my neighbors and tried to give my free booth space away and I couldn't get any takers. I fear that next years artist will consist of locals and anyone uninformed they can dupe off of Zapp.
This was my 1st negative income show in 3 yrs, I expect better from the Chicago Land area.

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Not your typical Amdur show

Amy's final outdoor show of the Chicago season was this past weekend. It was the Last Call Art Show in Highwood, Illinois.

Highwood has always been the poor stepchild in a string of suburbs in the north shore suburbs of Chicago. It is surrounded by upper class suburbs and for years was known for its wonderful restaurants. It was also the only town that in the area that was 'wet', apparently ignoring the Women's Christian Temperance Union which I believe originated in Evanston, a few suburbs south.
As a result, people are used to traveling to Highwood from the other suburbs.

This show advertises itself as a chance for artists to sell end of season, extras, miscellaneous and even broken art at discount prices. Some booths had discounts but most were 10% or 20%. Others didn't indicate any discounts at all and one had discounts of 50% on most of their merchandise. I don't know if the 130 advertised artists were actually there as I was told by an artist at another festival this weekend that Amy had been sending out emails to artists all over the Chicago area saying if you wanted in at Highwood, you could get in. About 1/3 of the artists there were regular Amdur show participants. The overall quality was not as high as a regular Amdur show but there were a lot of fine artists there.

This isn't a starving artist's show with a price ceiling and it wasn't a 2nds show. I also did not see the usual newspaper advertising that Amy usually has before a show.

There were not a lot of people there but if they all bought as much as I did, the artists should have been happy.
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What are they up to in Kansas City?

Here are 156 photos from the Kansas City Star online...it will give anyone who hasn't been there a nice look at the crowd that attends, the entertainment and a little bit of the art. The Plaza is Kansas Citians version of a "coming out party." http://www.kansascity.com/2010/09/24/2248951/plaza-art-fair-2010.html

And here is a little "street theatre" from the Plaza...http://guideforthearts.tv/?p=14777

Here is a wrap-up piece from the Star, a little more local flavor: http://www.kansascity.com/2010/09/26/2253126/plaza-art-fair-wraps-up-its-three.html

We did this art fair for many years and it was always a decent event, so many good artists, it was fun to hang out with the other artists. One of my favorite stories is that one year our neighbor was Emerson, a photographer, who always draws a nice crowd and is a great guy. This particular Saturday afternoon there was a movie he wanted to see so he just left his booth and asked us to tell people he'd be back later if they inquired. Then he went off to the movie!
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Atlanta Arts Festival at Piedmont Park 2010

Hi, All: I'm new here and like what I've seen. I think it's a great resource for artists.

My topic, The Atlanta Arts Festival at Piedmont Park 2010 in Atlanta, GA, is my personal experience. It may not reflect the experiences of all attending artists or even most of them.

This was my first Atlanta show and I had great expectations. My wife and I had heard that the set-up take-down procedures could be difficult due to the one-way, tight layout at Piedmont. Thus, we were prepared for a hassle. However, the folks who were responsible for set-up were well organized. Artists were given specific sign-in times on specific days. We reported to a parking lot about one mile from the park. There, we were given our packets and very specific instructions about how to set-up. We left at a designated time and drove out of the parking lot with a police escort. Hats off to the Atlanta PD as they shut down traffic on the road leading into the park and whisked us off to set-up. That part went super smoothly. When we arrived at out booth location, the area was a little tight but it didn't matter since there was no other traffic. We had 90 minutes max to set-up. With both of us working frantically, we finished just as a motorcycle cop showed up to tell us we needed to move our vehicle. Lucky for us. Most artists had not finished set-up and had to come back later to get finished. Everyone left as we had entered, in a caravan. We were given designated parking areas. Ours was the "coaches" parking lot adjacent to a school. From there, we had a 1/2 mile walk back to our booth. Since we were finished, that wasn't really a problem.

The show location at Piedmont was great. Beautiful, with abundant large shade trees made for an inviting site. We were lucky to have dense shade all morning. However, by 1 o'clock, we were cooking in the sunlight. Thankfully, dire warnings about keeping off the grass were not enforced. We were able to place all extra art work and gear behind our booth. Since it was shady there in the PM, we moved behind the booth for relief and rolled up the back wall of the booth so we could see what was going on and folks attending could see us.

The crowds varied. I'm not certain, but my guess would be that the entire distance around the park road where artists were displaying comprised 1/2 mile, perhaps more. Since it was so stretched out, the crowd was sometimes sparse and sometimes heavy. Many people seemed more out for a stroll than anything else.

Artist amenities, IMO, were ho-hum. The awards ceremony was outdoors in the heat and flies. Adjacent to the awards ceremony tent, was a rock band blaring so loudly as to deafen anyone nearby. Luckily, I am already deaf and wear hearing aids. I just turned off the aids for relief. The rest of the artists got their eardrums over worked. Evening food was pretty good.

Typically, I make $2,000+ on a weekend. At this show, I didn't sell a single piece of my work! I was flabbergasted. Since the area is near the affluent enclave of Buckhead, I was sure there would be lots of buyers. Guess this sort of misplaced optimism is why I've never won the lotto either.

Take down was, as usual, a bit of a rush. We were told to break everything down, place it curb-side and when ready to load, get a pass from one of the people monitoring different sections of the show. Luckily, we broke down fast (we also started early at 5:30 rather than at 6:00 as told) and were ready early. I got our pass and jogged the 1/2 mile back to the parking lot, got back , stuffed the truck full and got out when the first cop came through to escort artists who might have finished. Our escorted "caravan" consisted of me and one other artist.... :)

I won't be going back to Atlanta to either this festival or the Dogwood, held at the same location. It would have been better for us had we stayed home. Frankly, I don't know if this is typical for Atlanta or if the economy has smothered serious buying. It would be my suggestion to charge a gate fee. Yes, the crowd might be smaller but it would limit the number of people out for a stroll and those who did pay would likely be more serious about buying artwork. Of course, given what happened to me, if a fee was charged, maybe no one would show up.
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Neptune Arts Festival Virginia Beach, VA

Writing to report on the Neptune Festival for Fri and Sat .... although there is still one more day to go.

We've had record heat - in the mid to upper 90's with humidity..... so it's been a bit brutal for the artists. Friday was a miserable sales day for me (I have mixed media art). It was the lowest sales day I've ever had. Many of the artists said the same thing - although I did have two booths near me who did really well. I haven't had much help for this show - so I've been stuck at my booth and unable to talk to as many other artists as I'd like.

Today was a better day for sales - but still really low for me. I don't think this is the show for my type of art. What I did sell was low end $30 pieces. Only one piece over $100.

Move in was great - very organized and full of friendly volunteers. I have no complaints at all with the organization or the support people involved with the show. Just the normal problems with an oceanfront show.... expensive parking and streets blocked off for the parade and a marathon.

I did this show last year and did really well. Big, big change this year. I'm so happy I'm local and don't have a hotel charge. At this point, I'm not losing money - and I'm counting on a good day tomorrow (should be about 15 degrees cooler). I have noticed that there are not as many out-of-town people attending. Last year that's where all my big sales came from.... not from the locals. This year it seems like just locals who are really hurting for money. I actually had someone ask for a better deal on a $28 piece - that really should have been priced at $40.

One other thing... I was soooo disappointed in the judge this year. Honestly, she didn't even slow down to look at my work. Just breezed on by. As she passed, I heard her criticize the work in the booth next to me.... ouch! The only slow down was by the woman with her who put the little dot on my name placard. In my book - it would be nice if the judge at least pretended that she actually looked at the work displayed.

At this point, I'm thinking I won't apply next year. Booth fee is too expensive for the return. We'll see about tomorrow. Got my fingers crossed.

I'll write tomorrow with the wrap up. Gotta have some wine and hydrate.

Kathy Rose
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Riverfront Art Festival in Columbus, Ohio

This was the second time I've done this show. Last year was okay, sales were a bit low, but there was still money left over after paying for booth fee, lodging and meals, gas and so on. It had nice crowds, and the show maker was selling a group of Alaska images to a family that went there and didn't know their camera wasn't working. This was a critical factor I overlooked when doing the show this year.

I got in off the wait list this year and was happy to do the show. It's laid out well, easy set up with unloading in front of the booth space, and has a good distribution of media. The organizer is a nice guy who appears to work his butt off.

I can't say the Friday afternoon and evening hours are worthwhile doing as nothing seemed to be selling and I didn't see much of anything being carried around. What started sounding an alarm bell was the low crowd turnout on Friday night. Most artists reported almost nothing on Friday night sales last year, but the crowds were good sized back then.

Saturday rolled around and the crowds were sparse the entire day which ran from noon to 10:00 PM. The night crowd wasn't nearly as heavy as the previous year. I sold very little on Saturday, and others around me were in the same boat. There were also few returning artists from the previous year. Sunday picked up a bit, but all it did was get the booth fee back and enough extra to pay for one night's hotel fee. I wound up losing about $300 doing the show.

The family that made the large purchase last year is what I should have factored out of the equation to return. Counting on a single big sale is overly optimistic, and a mistake I don't plan to do again. My sales were about the same minus the one big sale from last year. As much as the organizer is a genuinely nice guy and the setting is nice, if the crowds can't be delivered it would be foolish to return. The potter next to me managed to make a small profit selling mostly $13 mugs and no large pieces, and won't be returning. A jeweler across from us was doing miserably, and likewise won't return. Another photographer was next to me, luckily there was no similarity at all between our work, and he was counting the pennies to get his investment back. He won't return either.

There were other shows going on that weekend and it was a home game Saturday for Ohio State on Saturday, but the other two days were still problematic. I won't be back to the show.

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Call for Artists: Artisphere

May 13-15
Greenville, South Carolina
West End Historic District

120 Artists
Deadline: October 7 - paper applications
October 21 - online applications


Greenville is located in the Blue Ridge Mountains in the northwest corner of South Carolina, halfway between Atlanta and Charlotte. Is is one of those lucky U.S. cities impacted positively by high tech development where industries such as BMW, General Electric and Fluor are flourishing.

What to expect:
  • Since 2005 the Purchase Awards Program provided an average of an additional $17,500 in art sales
  • An extensive advertising and publicity effort that publicizes the festival throughout the state and the Southeast region with media sponsors in print, radio, television and billboards. The festival will also be marketed through direct mail, social media and paid advertisements in tourist publications
  • $10,000 in prize money
  • a well-educated audience who have good jobs
  • great time of the year for pleasant Spring days

Artisphere is the centerpiece of Greenville's Arts Weekend whose mission is to provide a high-quality event that attracts, entertains, educates, inspires and enriches a diverse audience, and thus brings the community together through the arts. This is an event definitely "gets" the connection between the arts and economic development.

Proceeds are used to produce the annual arts festival and are also distributed back to local non-profit arts organizations as part of Artisphere's Volunteer Arts Partnership Program.

On the fence about applying? Visit their website for a good overview: www.Artisphere.us

For a prospectus and more info, contact Liz Rundorff, Program Director/Artisphere, 864-271-9355, or liz@greenvillearts.com.
Download the application: www.artisphere.us

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Find more art fairs looking for artists:
www.callsforartists.com

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Disasters in ATL

Atlanta Art Festival last weekend was a complete disaster and the line up for this weekend at the Atlanta Midtown Festival seems the same. A folk art show has been added for next year. Please, stay away if you value your entry fees. They are dogs, or rather dawgs. Too many shows means money for organizers and less for artists. Beware
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ARTS, BEATS AND EATS

MOVE OVER ANN ARBOR, MOVE OVER CHERRY CREEK, MOVE OVER PLAZA, MOVE OVER COCONUT GROVE -- THE REAL SHERIFF -- ARTS, BEATS AND EATS IS BACK IN TOWN!

Wow is one of the few words that can describe the 2010 ABE show. This one was the show to be in for the 2010 season. The show at the Pontiac site had been slipping for the last several years due to who knows what factors -- certainly not the work and efforts of the directors and staff -- they are some of the best in the nation. Chrysler dropped its sponsorship in 2009 and Ford picked it up and they moved the show to Royal Oak. Any move can cripple a show for the first year or so. Not ABE! It exploded this year and produced my best show sales ever. I heard the same from two photographers, a wildlife pencil artist (that consistently exhibits in top shows) and a glass artist. I do jewelry. Understandably, some artists did not have a good show as is always the case at any show. However, I will exhibit at 30+ shows this year, some of them ranked in the top ten in the nation, and this show had more buying energy from all age and income levels of any show I've been in for 5 years.
The crowds of people were huge -- it was reported that security even limited the people coming into the show for a time because there were so many people in the street it had reached a danger level. And the people were buying in the depressed Michigan economy. Go figure. Sure, many came for the food, beer and entertainment. But buyers were scattered through the crowds every day and at every hour. Staff was working hard just to get the buyers out of the booths on Monday evening so they could get the show closed down. When did you last experience that?
One thing is certain -- give a hand to John, Lisa and Connie for their work behind the scenes. The show was heavily publicized and promoted. They worked hard to get the really good sponsors and it all come together. Thanks John -- Thanks Connie -- Thanks Lisa -- Thanks to every other staffer who helped make this one happen. It was an honor to be juried into your show.

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ATLANTA- PIEDMONT ARTS FESTIVAL

WHY OH WHY would anyone schedule an Art Fest on Yom Kippur/ this is like having a show on Christmas Day. Nancy and her crew did a great job in getting everyone in,(I escaped quickly); they kept us nurished in the heat, and were very attentive to artists needs. They deal with what the city hands them, dates included. Even though this is the 4th year for this resureccted show(???)- THE QUALITY OF THE ARTISTS WAS OUTSTANDING// FROM ALL OVER THE U.S.

Now the bad- a previous post sited $50 to 100 sales-- this was so true in my case also- my total sales were awful // and I am way too old for practice: A wood artist neighbor sold great tables-$2500-500 and alot // I saw some 2-d that came from the same source // I really stayed close to the nest trying to make something happen // my 2-d neighbors didn't seem busy although one sold 2 nice photos-at the end on Sun. to save the weekend.A few nice wood ,and glass sales, but NOT kicking at all. Many that I spoke to were way unhappy with meager sales, and small crowds. especially as I busted my ass // boogied// to get my vehicle across this 55-60 acre park// somehow. THIS LOCATION NEEDS TO BE MOVED.

The SET_UP, layout is back of booth to the curb/ car to the LEFT CURB// there is NO ROOM TO DOLLY PAST AT ALL// Cops couldn't get by-and we heard about it-Car Doors are open--CRAZY CRAZY-/once one car stops and takes 1-2 hours it was all over/ no matter how they have it staged- we unloaded in 40 minutes- waited 2 hours in a HOT lot to be staged into the park after driving 6 hours from JAX.- and then waited 1 hour till the artists were ready to move;;What a Hassle. NOT ARTIST FRIENDLY--crossing a park, tired, at night, dark, A PERFECT SET-UP

AND WE WERE ROBBED FOR A PIECE OF GLASS OFF OUR DISPLAY. THIS IS THE FIRST TIME IN 30 YEARS THAT ANYONE HAS EVER SWIPED A PIECE//// I EVEN LET PEOPLE TAKE PIECES AND SEND ME A CHECK;;; A $450 dollar piece--unreal-

The crowds were small/ and I have heard that they are required to maintain a certain level of attendence in the park???/ hence LITTLE ADVERTIZING// and this showw has a long way to go to attrack a knowledgeable; buying crowd. THANKS BUT NO THANKS

yom Kipper

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