I'm getting ready to order Pro Panels for a new set-up and I'm stuck on the color. There are eight colors to choose from; oatmeal, buff, teak, pine needle, moonbeam, light gray, dark gray, and black. The most common color I see used is light gray. I've never seen the teak or pine needle used, but that may just be a local thing.
I've seen the black used with large abstract paintings and it looked great, but I think it would overpower my smaller frames. Is there a reason I see so much of the light gray? Do judges prefer it or does it wear better? I need some feedback from artists who love or hate the color Pro Panels they have. I don't want to make such a large investments and then find out later there is a reason the color I chose is uncommon.
Comments
I am new to the Art Festival circuit. I've done 3 major shows...and change my booth every time. I was having POOR sales in the Spring Tempe AZ show...POOOOOORRRRR sales. My amazing artist tent neighbors were having great sales...and were gracious to give me 2 great tips...1. keep my space open so that public can not feel trapped...and 2. Put my lighter glass art against the dark background...and my dark glass art against the white tent background. Things picked up immediately the last day after I made those 2 simple adjustments...too bad it was on the last day...I chalk it up to "learning".
I too am struggling with the Pro Panel color. One artist had the dark grey with metal shapes mounted on them...the other artist paints vivid colors on metal and had the black. She has traveled over 22 shows last year...and her black looks fine...new...and not 10+years old.
I love the idea ruth j mentions about the slipcovered ProPanels...that tip alone just relieved my stress of what color to select. excellent idea! thank you!
Larry Berman
http://BermanGraphics.com
412-401-8100
The problem with posting to the blog is no one knows it's there unless they stumble across it but everyone gets immediate e-mail notification of a new forum thread.
Additionally starting a blog means that after a few more blogs have been started, you're off the first page, but each time a forum response is posted, it brings the thread back up to the top again in that respective forum so it's much more visible to more artists to participate.
Larry Berman
http://BermanGraphics.com
412-401-8100
I originally had moonbeam in the breakdown panels. They got dirty easily. I moved on to dark gray (not black) in 7' panels with extenders. It is a dark combination, but I have dark frames, and it helps the images to pop off of the background. I like the grays better than oatmeal, teak or pine, because they are neutral. I have seen most of the colors, and they all look good, depending on your work. But for 2D work, I would recommend the grays over teak or oatmeal, as they are color-neutral as opposed to warmer tones which will influence how your art looks in sunlight.