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If you come upon a mysterious object, such as what I  found at this puzzlePhotos blog (above photo, from site, not my work) , you will surely wonder about its function.

But if it is a work of art, such as a painting,photograph,a sculpture, the question isn't normally asked, at least not in the same way. Ceramics has always floated in and out of the concern for whether it is functional or if it is art, (or some variation on that theme.) I would imagine that is why I get so many questions about what many of my ceramic pieces are for.

Don Bendel was my Ceramics professor at Northern Arizona University. He told this story that I get a lot of traction out of when dealing with the question " what is it for?".

(caption:Don used to put these on the top shelf of the salt kiln, toss empty beer bottles on top, creating a glaze pool)

"I got this commission for a dozen or so of my pots.
 She wanted to use them in her garden. I made and delivered  the pieces, and she thought they were great. Later, she invited me over to show me how great they fit in her garden. I was led into her garden and there were of my pieces, turned upside-down, buried up to the foot into the earth, being used as stepping stones.
After getting over my surprise, I realized that once I sold the pieces to her, they were hers to do with whatever she wanted. I then had to agree, they really did look good in her garden.” Don Bendel
  That's how I remember it.

It is not uncommon for me to relate this story when I get asked what one of my pieces is for, a  fairly common occurance, actually. Sometimes they make a suggestion, indicating how they might use it:

"Well, I could put a candle in it", or I might even suggest something "some people put a frog in the bottom and use it for an Ikebana. Of course either is fine with me. Normally I do explain that what I am really doing is looking at form and construction techniques and playing with them. Function following form. But then I usually define the vessel to them as what it in terms of function, that it is a bowl, or a vase.

It might even look good turned upside-down and used as a stepping stone in a garden!

This one does baffle a decent number  of people:

 I just bet that others (depending on the type of work you do, and maybe how easily it is categorized) get similar or more entertaining responses.

This one does baffle a decent number  of people:

Mmmm, gravy boat? In term of function, I leave it up to the buyer. As form, its what I call a two-sided bowl.

One my  favorites is when I had an 8" maquette of this piece on sale at an art fair:

Patron: "What is this for?"
Artist : "Its a band-aid dispensor" (the mouth was just about the size to hold 5 band-aids, and, well, after putting your finger in to get a band-aid, you would immediately need another one, as you cut your finger pulling out a band-aid).
The patron was very amused, (but apparently not enough to buy it ).
So, when I have a patron who wants to know, what a piece is for, I like to relate Don's stepping-stone story. It lets the patron know they are free to do whatever they want with the piece, and allows the artist to accept it too.

Caption: (Don, my sister Sheila, and me at my BFA show, circa 1981

This season-by which I mean Spring until the end of November, possibly into December-will be the first time I do anything aside from Hallowe'en. I'm a potter and a sculptor living and working in California, and I'm branching out into more "mainstream" ceramics to expand my business as I'm still working at mastering my craft. I have functional pottery available, such as cups, pitchers, plates and the like, plus I'll be making some "fine art," higher-end sculptures for the shows where I'm most likely to have that kind of buyer. I'm taking my first steps in discovering where to show my work, and man, do I need help!

I've found a few places to show and have started a list, but I have no idea which fairs will be the best fit for me. There's one in San Francisco that I hope to get into next year-the deadline to sign up for this year was last June, and I obviously missed the deadline!-I figure 100,000 people walking through will be good for sales. It's difficult to come up with the money to rent out booth space for these places, which I'm sure everyone here knows already, and covering all business expenses, travel, materials, booth fees, etc., will be challenging. I can already see I need to upgrade my kiln within the next year or two if I'm going to be more efficient with my fuel costs vs. product made, and I am literally having dreams of how to best set up my booth space and what "furniture" I must have vs. what I can put off until later. Of course, around the corner is the necessity of buying a new SUV or van, and/or a trailer for my stuff. Any ideas? 

It's all dizzying!

So here's the question I have for everyone out there: where in the Northern California/Lake Tahoe/Nevada areas are there good prospects for shows and (dare I ask?) actual profit?

If there are any ceramics folks out there, how do you pack your product so you can pack and unpack quickly? Not all of my product is of a standard size, so I find myself individually wrapping everything in paper and putting them in big plastic bins. This take for-flipping-ever to pack and unpack, and I know there must be a better way.

Oh, and any thoughts on how to take credit cards? I have a Droid Bionic, and would love to get a reader or something for it. Any recommendations? And any thoughts as to what to look out for when I'm starting an account?

Well, thanks for any info you can give me! Good luck to all of you this coming Season, too!

I just visited a great event on Saturday-the Tampa Tourdeclay which featured 6 studios with 20 Florida potters and their guest potters. Fun, food, music, shoptalk and sales were present as I went from each studio visiting with the potters with their unique styles and ways of marketing their work. Had a great time and enjoyed the comraderie. The event is a yearly feature of the Florida Westcoast Ceramic Society. www.tampatourdeclay.com