Here is me, sending jury fees for shows that I don't even know I'm going to get in, so why not? Let's apply sometimes for two shows on the same weekend in case I get rejected in one, or if I am lucky to get accepted in both then I can chose, it's only a jury fee, or two, times 12. Oh! But wait! Getting invited as returning artist to couple and guess what...We need your booth fee for a show that is in 4 to 6 months. Oh! But I forgot...It's January, just after Holiday season, which means I went over board with dinners, parties, presents so my wallet is empty. Another detail...I am in Chicago. I don't travel to FL shows because I have 3 little kids that I can't leave so I have to stay local. So not too many shows during winter season. Oh! Yes, my materials that I just ordered online, just 1,000.00 and I will still need couple more things. So I have more expenses than $$$ in my bank. Ha!!! I will cross my fingers and will send booth fees when I start making $$ in my shows. And the question is...Am I going to make money enough to cover all my booth fees. That my friends...IS THE QUESTION!
making (2)
As a young child I always created art -preferring to paint and draw rather than join my friends at the mall. I loved copying Cezanne, Van Gogh, and Matisse.
As a college student I studied art, design and painting. As an adult I found, not only did I have a desire to make art professionally but also to teach people, young and old, how to express and explore their own creativity through art making. I strive to insure the students understand there are no mistakes in art. And to recognize that what they perceived to be a 'mistake' could actually be far better than what they intended.
I taught my first art classes to some of my neighbors' children many years ago in my garage and have always wanted to do more of it. A couple years ago I made a proposal to a local preschool to teach a pilot art class once a week, and found that I still enjoyed teaching art, very much.Preschool Artwork Exploring Textures
It was another 3 years before I got up the courage to teach adults.
I had studied felt making for a number of years by now and believed I had something worthwhile to share with others who wanted to learn the craft. I have taken many classes around the country with many teachers. Some much better than others. In my teaching, I wanted to incorporate what worked for me and eliminate that which was not helpful.
What made a successful class for me was based on several different factors. Did I learn what I signed up to learn? Was the instructor organized and their instructions clear? Was the class well paced? Did the teacher understand my questions and answer clearly? Were they patient and take the time to explain something in a different way if I wasn't able to understand their explanation? Were there hand outs or reference materials I could take home? Were all the supplies there that were supposed to be ? Was the equipment in working order and were there enough supplies for everyone? Was the space pleasant to work in and did it function well? Did the teacher have enough samples to show the class? These criteria are what I hold myself accountable to.
Surprisingly enough, if I didn't have 'fun' at the time, I didn't count that against the teacher. I found that taking a week long workshop to learn a new skill can be quite stressful. Fun was a plus but not a requirement.
And this seems incongruent but, in the 5 hour class I teach at Nice Threads Fiber Gallery and Studio in Black Mountain, North Carolina , called 'Designing a Nuno Scarf'' I do want people to have fun as well as learn new new skills. So far, the feedback I have received has made me very happy. The comment made that I exceeded the students' expectations really made my day.
