This past weekend did a show called Hermosa Beach Arts and Crafts Festival in Southern Calif. I was told by friends that it was a good show. I did the show in the early 90's and it was an true arts and crafts. There were fine art painters, ceramics, metal work and others handmade arts. Well, now this show has sponsors, natural juice, milk, bottle tea, satellite tv. The show had very little handmade arts and crafts and a lot of buy/sell. What used to be a great show has turned into a not so good swapmeet. The surprise were all the sponsors and they got the good booth locations. Artists were there but not that many. The show was crowded I would say around 100,000 people. But most seemed to be out there just to go to the beach. Did not seem to be that many buyers. I did ok not great, but with all the sponsors and freebies I would not return unless they clean up the show I also drove from out of state. Cost me over $300.00 in gas alone, and the show was $600.00
I was also approached by another promoter who is looking to fill their show in two weeks, and that show has around 20 sponsors and a carnival. What are happening to the good old arts and crafts festivals.
Comments
Thanks you for that response Steve. I'm glad I didn't do that show. I have also found quite a few other shows that do the same thing. I will not apply to them. I find I do best at small Arts & Crafts show. That way my work becomes the high end and nicest work there. No ego, just been told this many times by fair goers.
One company I will tell you to watch out for and not do his shows is Layd Back Productions. Not gonna go into why but you can email me if you want more info.
So the problem is really finding shows that we can afford and that are true Arts & Crafts show. When we do we need to let the promotors know that we appreciate their appreciation of our work.
It's rare these days to participate in a show that does not have some corporate sponsorship. Even the high end shows like Reston and Fort Worth have lots of corporate money behind them. What distinguishes the good shows from the bad ones is how selective they are, and how the sponsorships are integrated within the exhibitors area. Some shows, like Artigras, put the sponsors booths in between the artists. Somewhat disruptive, especially if you're near the guy hawking the NY Times. (We got to know him pretty well, and he's an okay guy, if a little high key.)
Big shows, like Arts Beats and Eats wouldn't exist without the major funding of a Ford Motor Company. The sponsorship of AB&E is handled in a classy and tasteful way. One might argue that the big banner structures get in the way of sightlines. I think it's a small price to pay for lower booth fees and better publicity.
But shows with a carnival atmo are a different story. I hate having the local Andersen window vendor as a booth neighbor. It does take away from the overall feeling of an art experience when you have to compete with It sounds like the show you were at has gone downhill, and not in a good way.
As the costs of putting a show together go up, promoters do have to find a way to get the money together. Without sponsorships, many shows would cease to exist. Maybe that would be a blessing in disguise.
Interestingly (at least to me) my younger son lived in Hermosa for a number of years and I've walked through this area many times. It seems like a perfect place for a very cool laid back art fair. The deal is, Steve, is the sponsors usually pay a LOT more than the artists for their spaces, and soon the tail starts to wag the dog. It is really important for whoever is running the event to actually acknowledge and keep it in mind that the ART is the reason for the show and make decisions surrounding that. It is tough.
I realize that there aren't a lot of artists from the West on this site, but I'd try to do some inquiries here before I put my money down again. Also, you might recruit people from your part of the country to join the site so you can talk with each other - your friends could tell their friends, etc.