Ah, that first rejection of the year....

Just when I was basking in the glow of a fine end of the year show at Bayou City and dreaming of the relaxing Winter ahead, that ominus email came from Main St. Ft. Worth.

You stare at the message header for a full 24 hours before you read the thing. It takes that long to steel yourself for the enevitable " thanks, but no thanks".But wait, there is always that chance it's good news you're in, or maybe even the purgatory of the wait list. Hell, you re did the booth shots after reading how much this counts in the jury selection, submitted what you felt was a creative representation of your work. You did the show two years straight, did killer numbers. Even schmoozed the director a bit for good measure.

Eyes closed, finger hovering over the mouse, gravity takes over and the finger plops down. Peeking thru parted fingers you slowly absorb the facts. They don't like me anymore. Damn.

It's tough to not take the rejection to heart. this is a show that will literally make the year, it's the Cherry Creek of the Spring (yeah, and waiting for that rejection too), the one show that people will make hotel reservations a full year in advance, and rent mules to haul their purchases off. Its two lanes of shoulder to shoulder,heel to toe happy Texans for four days and 8 city blocks just buying and buying and buying. But they ain't gonna be buying mine.

Maybe its karma, maybe I reamed a few show directors and there is this underground cult they all belong to that black lists people that call them out.Maybe the two years I was in was an abberation. Maybe my work really does suck.

Yeah. I know it happens to all of us.Photographers probably more than most others, simply because there are so damn many of us. Maybe I should become more run of the mill, stop trying to convey my own little take on the world thru my imagery.Become more mainstream.And maybe I just suck.

I have the whole cold and lonely Winter to think on it.

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  • And the Bread dough....Come ON!!! I don't understand WHat is so hard to see in an image that does not scream bread dough!!! And cheap imported crap. I often wonder if the descriptions are even read out loud if at all. "hand crafted from bread dough...?" I see so much beaded and strung jewelry..It makes my blood boil. What are these people writing on the descriptions?? a show director was talking to a friend/artist recently and said that they were distraught over all the beaded and bad jewelry that continues to get into the show. How hard...how HARD can it be if you have any education at ALL to see recognize what strung beaded jewelry is. I am seriously considering calling this director and offering up my services to educate the staff.
  • Just got my rejection from Naples National....Oh Goody!
  • Last year I was rejected to a show I had done for a few years,one of the top 35) was told by the director that I had the 2nd highest score in the show, used my images for media and asked to be a juror. The next year upon getting my rejection I called the director..who had also purchased my work as well. Out of a score of 35 my score was a 14. A 14!!!! She herself said "Wow...that's just not right...." I asked her as calmly as possible, "Were there any comments or remarks?" She said " Yes...the juror said " There is no way this person actually made this work with the techniques she described.." WHAT!!!! I said, " I am a metalsmith! Like have a degree in Fine Arts, Metals, Painting, Art History!!! ...You believed HER??" Silence on the other end....Words can't describe how angry I was...to know that this juror was so UN educated.That she had this power and she had NO idea what she was talking about!!.That a total MIS judgement was made about my work. I make it look good because I happen to have SKILL>>>>>> .I'm so afraid that that is the case most of the time...That the jury has no real education on Art ...and how to make it etc.
  • Then scratch the mime/mocking those accepted artists thing. Now I'm pissed as well as jealous.We all show up in white karate unnies with banzai headbands. "Unjustly Not Invited" in bold red script on our backs. We pack supersoakers and attack like the ninja warriors we all are at heart and wet the bejessus outa those we feel superior to. We laugh and chant and high 5/low 5, then dance a happy dance (will let Barry choose the dance itself) then on to the next booth.We keep it up until we get our $35.00 worth of revenge. Party at the main stage immeadiatly afterwards.
  • Good Post. I was on a roll having gotten into the Grove, Winter Park, and Naples Nat and re-invited to Ann Arbor. Then I got the rejection to Fort Worth. I do Oklahoma City sometimes and there are a number of people that go from Fort Worth to Ok City. I'm not impressed with those artists, but then, it could just be sour grapes on my part. I'm not a fan of the current jury process, also.
  • Got my rejection from Ft Worth as well Mark. I have never done the show...but I keep donating :)

    Having sat in on the Jury last year, I can't help but think that it is basically a gamble - so many applicants, and the jury looks at all your work simultaneously for a mere 15 seconds...your work is up, then down, then on to the next, over and over again. I think it is hard to give each artist a fair shake really.

    oh well, I'll probably send in my donation again next year :)
  • Michael, I can just see it! LOL!! Thanks for the laugh and the perspective.
  • Years ago I did this little show in some mountain town in New Mexico. It always drew a ton of Texans who had summer palaces there, including giant horse barns. The art show was a mix of 100 local artists and foolish out-of-staters (me for one). Well, the judging committee came around and gave these gi-normous ribbons to "The Top Ten" artists in the show. Strangely enough, those top ten were all locals!

    So I, in my youth, fire and brimstone, came up with awards for "The Bottom Ninety." With the help of some other artists, we decorated full size paper plates with weird sayings ("Best Bad Potter," "Best Mediocre Photographer," "Best Imported Jewelry," you get the drift), bits of ribbon and duct tape and many of the artists we gave them to actually wore them. Until the evil show director came around and cast a curse on yours truly and my nefarious crew. I never even applied to that show again!
  • The one makor show that does give feedback is also one of the best organized and well run, Bayou City (Spring and Fall shows). They report your total score, as well as the minimum for acceptance.
    It's still a personal hit when you don't make the cut, and of course you don't agree with the assessment but at least you get that individual connection that means a bit more than "Thanks, looking forward to your donation next year".
  • Rejections stink. Bad shows stink. I agree it's very hard to not take it personal when you put your heart & soul into your work & then you get rejected for unkown reasons or someone who "loves" your art leaves your booth empty handed. Hurts even more when you see them buy something from the buy/sell booth. Even when you are logically telling yourself all the business reasons for rejections, it still feels like a personal rejection and it is hard to take. Makes me wonder sometimes why I put myself through it. But there's nothing like the gratification when you get accepted and someone loves your art and buys it. I'm totally on board with art shows giving reasons for rejections even if it is a checked box. Feedback is important.
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